Taking you behind the scenes, manager, artist developer, and quirky Vancouverite Rockin’ Robin talks with Sad Mag about the music industry and the strange ways in which comedians like to pay homage.

Sad Mag: Tell me a bit about yourself.

Rockin’ Robin: My name is Rockin’ Robin and I am a longtime music fan (36 years of me being alive!!!) and of course I love the bass guitar. I am also a pretty important manager and artist developer in Vancouver and I tweet @bassguitar69.

I am sorry we couldn’t meet in person but I am very busy with industry stuff like hobnobbing and the internet. Everyone should read my website: http://www.RockinRob.in

SM: What bands/artists do you represent?

RR: Most of the bands! A lot of the time I do background/secret work so that the artists can remain in the limelight. If you know the band “Daft punk” and how they try to keep their identities secret, I am sorta like that but right now I am representing Chantal Kreviastuk mostly.

SM: Who are some of your favourite bands/artists?

RR: I love Led Zeppelin, obviously. In Vancouver, I love the SRRIs, Man You’re Horse, bekeeper, Lotus Child, babe rainbow shaved, and Humens.

SM: How do you find the music scene in Vancouver?

RR: The scene is filled with lots of good people who are friendly and nice. There are some of the best studios in the world like The Hive and totally great venues (I am at the Biltmore basically every night). A lot of times DJs and bands play together on the same bill!

SM: What is your goal in the music industry?

RR: A comedian friend of mine Simon King always says he is, “getting the drug to the people,” and that is what I want to do, but the drug isn’t comedy or drugs, it is MUSIC.

SM: What is the deal with all those videos of “you” on the Internet?

RR: I guess some comedians who know me are doing impression-videos of me as kind of tribute. They like my style or something. A lot of times they don’t really talk the way I talk in real life but it is ok I guess. Imitation is the sincerest form of flannery!

To see some of the artists Rockin’ Robin represents RSVP on Facebook to The SSRIS, Beekeeper, and Sidney York show at the Waldorf on Thursday, February 24th.

This Thursday, Bad Girl Burlesque presents the second BOOZE, SHOES, and GIRLS with TATTOOS – an evening featuring the best in Vancouver burlesque. Sad Mag sat down with the beautiful and talented Bad Girls to talk about sweepers, girl crushes, and their upcoming show at The Cobalt.

Sad Mag: Who is Bad Girl Burlesque?

Beatrix Hotter: Myself, Didi Disaster and Dizzy Little. Also known as Heather Leaf, Cynthia Weiss and Amber Lamoureux. The name is very tongue in cheek, and is partly inspired by the legendary burlesque performer, Dee Milo, whom we personally met and heard speak about the condemnation performers of her generation faced from society. These women, whom we consider heroes, were the “bad girls” of their era. We chose the name to pay a small homage to Dee Milo and so many other women and because it’s cheeky – and we like cheeky.

SM: How did you meet?

Didi Disaster: Craigslist casual encounters. Unless you want the boring truth, we worked together at a few jobs in the “real world” slinging adult beverages and/or children’s toys.

SM: What does Bad Girl Burlesque do?

DD: We produce high energy, bad-ass burlesque shows with a rock ‘n’ roll edge. We are so fortunate to feature Vancouver’s absolute best performers – and that’s not even bragging – we’re flattered that such amazing women want to be part of what we do.

SM: Do you all perform burlesque?

DD: Dizzy performs and is Bad Girl Burlesque’s PR girl, I’m the sleazy business man behind the scenes, and Beatrix acts as performer/MC/producer.

SM: How did you get started in burlesque?

DD: With a background in radio, TV and theatre, Beatrix first found her way onto a burlesque stage by being a sweeper (the cheeky girl who picks up the dancer’s discarded articles of clothing between numbers and entertains the crowd).

Dizzy was inspired by bad-ass go-go girls she saw perform at punk rock shows when she was younger. This lead Dizzy to take some burlesque classes and develop her love into a skill.

A fan of burlesque from since I can remember, I worked as co-producer of Girls On Top Cabaret Society, a troupe that worked to help DTES women’s charities.

SM: How often do you produce shows?

DD: We’re aiming for every month or two.

SM: What’s the aim of your events?

DD: Our aim is to rock your socks off! We want the audience to be genuinely excited. We want them to be aroused. We want them to be PUMPED! And seriously – what’s not to get excited about? Dance, music, comedy, theatrics, strip-tease, and all with the cherry-on-top of a body-positive portrayal of women’s bodies! What could possibly be better?

SM: Who are some of your favourite burlesque ladies in town?

DD: We are so lucky to be in Vancouver amongst an enormous amount of talented ladies! There are far too many to name but we definitely have girl crushes on Lola Frost and Spooksy DeLune.

SM: What’s your favourite thing about working together?

DD: We all get so excited to hear each other’s ideas! Every time we brainstorm, we are giddy over the creative juices that flow and the inspiration for new ideas that we bounce off each other. We really compliment each other as a production team.

BOOZE, SHOES, & GIRLS with TATTOOS
Pre­sented by Bad Girl Burlesque
The Cobalt
Thursday, Feb­ru­ary 17th 9:00 pm
RSVP on Facebook

Photograph: Matt Leaf

Valentine’s Day, Schmalentine’s Day – chase your champale hangover with Pump Trolley’s Stolen Hearts show on February 15th. Pump Trolley is a fresh-faced comedy collective of eight endearing and talented folks who produce hilarious shows at The China Cloud. Read on to learn about sunflowers, dreams, and what happens when you push just enough.

Sad Mag: Tell me a bit about yourself.

Nick Harvey-Cheetham: I am an improviser, performer and student originally from Toronto. When I was around 9 years old, I realized I was never going to make it to the NBA so I decided to pursue other things.

Ember Konopaki: I’m an improvisor from Edmonton. I’ve been doing improv for almost 8 years and only started doing sketch when I moved to Vancouver in 2009.

Tom Hill: I’m a writer, comedian, improviser, marketing guy with history in the province of Saskatchewan. I’ve spent a good deal of my life doing unusual jobs while making jokes on the side.

SM: What is Pump Trolley?

NHC: Pump Trolley (the group) is a collective of writers, improvisers, musicians, filmmakers and all-around creative folks who decided to write and perform a regular comedy show at The China Cloud Theatre.

TH: A “pump trolley” is a cart operated by two people. We’re a sketch comedy group operated by eight. Otherwise we’re about the same.

SM: Who comprises Pump Trolley?

NHC: Pump Trolley is: Warren Bates, Nik Bunting, Ember Konopaki, Nick Harvey-Cheetham, Tom Hill, Alex Hudson, Devin Mackenzie and Tegan Verheul with frequent musical accompaniment from the endlessly talented Devon Lougheed.

TH: Whole bunch of swell goofs.

SM: When and how was Pump Trolley started?

TH: Most of us started performing together through UBCimprov, where we’d been together for years. We had a real treat of a time so we took it to the streets and for six months in 2009 did a new show every week at the Cottage Bistro. We’ve since had a few beautiful members move away to pursue acting/genius- ing, and Warren and Ember moved here and joined us.We did every two weeks for a while in 2010, then dialed it in by the summer of last year and really got settled as an eight-person thang.

NHC: I still have no idea how we were able to put on a show every week.

SM: What do you like best about working with each other?

TH: We have this weird joke we’ve been making with each other where we sort of mash our hands/forearms together to mimic what I think is supposed to be two pieces of raw meat slapping together. I like that a lot.

NHC: If I had to pick my seven best friends, it would probably be the seven other people in Pump Trolley. If I had to pick the seven people I want to impress the most, it would be the same seven. This strange fusion of a trusting, open environment with a collective desire to produce strong well-developed work really lets us push our ideas to interesting places.

EK: Everyone is committed to creating great shows. People are selfless and will write pieces for other members, take creative notes, etc. Plus, they all make me laugh.

SM: What sorts of things/situations/people inspire sketches?

NHC: A lot of our ideas come from some marriage of the mundane and the absurd. At the end of the day, though, any idea that makes us more than half of us laugh is a good idea. We are a laughter-based democracy.

EK: A huge variety! One sketch came to me in my dream, another time I thought a specific line of dialogue I heard was funny so I built a sketch around it. I like taking fairly mundane experiences and trying to make them funny.

TH: I’m primarily inspired to write by needing to write when the time comes. Sure I write things down ahead of time, but when push comes to shove I’m really just squeezing my sphincter until jokes come out.

SM: How do you find the sketch comedy scene in Vancouver?

TH: We seem to be settled right into what I would call the alternative comedy scene in Vancouver. Lots of drugs. One time we were guesting on a show and the host comes up to me with a crack rock and tells me to put it in my eye. I was like “well, fuck, I guess this is Vancouver comedy.”

NHC: I think a lot of the interesting sketch and improv shows in Vancouver have a specific D.I.Y. charm. Creative people are getting together and starting their own projects left and right, not for money or fame but for the simple joy of making people laugh. A lot of sketch comedians in Vancouver are just starting to discover each other, which is really exciting.

SM: What was one of your favourite performances or moments as a performer?

EK: Anytime anyone laughs at something I come up with – that will always feel good.

TH: Nik and I did a sketch in which we enacted the full life cycle of two sunflowers. It required us to don a half dozen full-sized sunflowers of my

neighbour’s. The sketch builds up for the first half with us yelling the sunflowers’ ambitions and eventually egotistical rants, before hitting our peak and groaning our way to the floor over another minute or so. Felt pretty damn good. That, and when Devin and I hit each other in the balls for eight minutes to open our first show at the China Cloud.

SM: Any upcoming performances?

NHC: After Stolen Hearts (Feb 15th at The China Cloud), Pump Trolley’s next big show is Tuesday, April 19th (also at The China Cloud).

EK: The Sunday after Stolen Hearts we’re creating two long-form improv pieces as part of the Launch Party of the Neanderthals Arts Festival. We create an “inspiration package” for each set and base everything off of those. February 20 at the Cultch, 7pm and 9pm show times.

TH: Just come to Stolen Hearts, ok? OK!? God.

STOLEN HEARTS
Pre­sented by Pump Trolley
The China Cloud
Tuesday, February 15th 9:00 pm
RSVP on Facebook

Photograph: Rob Anderson


Artist Rob Fougere graces the cover of Sad Mag’s Issue 6.  Here’s a preview of Michelle Reid’s article, in which Rob discusses the logistics of repurposing vintage photography. Get a copy in print at the Anza Club tonight!

“I try not to take credit for photos I didn’t take. I’ll certainly take credit for printing a found negative, because I’m making choices about how to print the negative, and I feel that’s fair, but I’ll credit it to ‘unknown photographer’ or ‘found negative.’” Throughout the conversation he re- turns to the importance of making art public, and says, “I like to think that some of the original photographers, especially the photojournalists, would be proud to have their photos hanging in a gallery.”

-Michelle Reid

Photographs: Eric Thompson

Check out a sneak peek of this Issue 6 article by Kristina Campbell, in which she discusses manual labour with Carolyn Bramble and Kate Braid.

Bramble’s success in her trade is partly thanks to trailblazing tradeswomen like Vancouverite Kate Braid. When Braid found herself working as a labourer in 1977, she was one of just a handful of BC women in similar positions; she went on to become a rare female journey carpenter.

Over and over again, the biggest difficulty she faced on the job site was fitting in as a ‘man’ among men, Braid says. She became adept at discouraging the damning damsel treatment.

“Some guys will try and carry your lumber for you,” she says. “They’re actually trying to be helpful in the only role they know. So one of the first things you have to do is make it clear that ‘I’m here as an equal.”

-Kristina Campbell

Photography: Brandon Gaukel

Issue 6 of Sad Mag is fast approaching! Until the release party this Thursday, read an excerpt from Kaitlin McNabb’s article on the Chinatown Casino.

In between the discount T-shirt store and sparse strip mall in Chinatown is an abandoned building once ripe with insurance bureaus. The doors are barred, the windows are papered and graffitied, and the fragrant musk of regret lingers at each entrance. But above the cracked plastic awning hangs a worn neon sign. Its colour, slightly faded, still glimmers. Its relaxed, scrawled lettering seems the epitome of a good time—Chinatown Casino Third Floor.

-Kaitlin McNabb

Photography: Krista Jahnke

As 2010 comes to an end and “best of” lists pepper all publications, we decided to compile our top five Sad Mag quotes from Sad Mag’s five print issues.
In no particular order:

Just gimme a mic and a spotlight, the new tranny is in town.

Poet Antonette Rea as the “Person” in Issue #5, written by Daniel Zomparelli.

At a very early age, I told my mom I wanted to be a stripper.

Danielle Swanson discussing her burlesque career with Rebecca Slaven in Issue #2’s “Sister Act.”

It dawned on me that I have done exactly what I wanted to do, without pedantically following that dream.

East Vancouver drag sensation Cameron Mackenzie/Isolde N. Barron reflects on his path in Issue #1’s cover story, written by Deanne Beattie.

When I’m onstage, I’m thinking, ‘Everyone in the audience is gonna be my bitch. You’re-gonna-be-my-bitch.’

The cover girl of Issue #3, strip-hop performer Crystal Precious’ talks stage mentality with Jeff Lawrence.

Now I know we said this was in no particular order, but this fine gem by Graham Templeton in his article “Swine Flu” from Issue #2 is clearly the best Sad Mag quote of all-time:

Swine Flu is the American Apparel of things that give you diarrhea.

Here’s to many more great lines in the 2011 year!

-Happy Holidays from Sad Mag!


TEAM SAD: Brandon Gaukel and Deanne Beattie. Photo by Bob C Yuen.

Sad Mag celebrated its first anniversary this month with friends and family at Sad Mag Live at The Cultch. We had a fantastic time bringing the magazine to life on stage, and talking about Vancouver’s burgeoning young artists, performers and organizers.

Thank you very much to the attendees, the performers and the guests! A very special thank you also to our 100+ volunteers and contributors who helped to make Sad Mag happen this year.

Sad Mag issue #5, released early for our lucky guests at Sad Mag live, will be available in stores in November. Life gets better when you subscribe!

Magazine Friends (L to R) Daniel Zomparelli, Sean Condon, Leni T. Goggins and Deanne Beattie

Sad Mag was joined by friends from Poetry is Dead, Megaphone, and Lester’s Army at the Magazine Life Tent at this year’s Word on the Street festival. Thank you to everyone who came out to hear us talk about “How NOT to Publish a Magazine.” We had a great time hearing from the editors how—and why—they started their magazines.

Please support these visionary and hard-working publishers by subscribing or donating:

Sad Mag celebrates one year of publishing magic on Saturday, October 9 with SAD MAG LIVE!

We’re bringing the magazine to life on stage, spotlighting some of Vancouver’s most innovative young artists, organizers and performers.

Hosted by CBC Radio 3‘s Lana Gay, SAD MAG LIVE features live, on-stage interviews with:

CAMERON REED (Director, Music Waste)
GRAEME BERGLUND (Founder and Creative Director, The Cheaper Show)
LIZZY KARP (Co-Founder, Rain City Chronicles)
DAVE DEVEAU (Managing Director, Zee Zee Theatre)

With performances by:

BARBARA ADLER (Accordion, stories, poems)
JASPER SLOAN YIP (Singer-songwriter)
SAMMY CHIEN (With guests—New media artist)
ISOLDE N. BARRON (Drag sensation)

This event is a fundraiser benefiting the Sad Mag Writers & Artists Fund. Tickets are $18 and can be purchased from www.thecultch.com or at the box office. The cost of your ticket includes a copy of Sad Mag issue 5.

SAD MAG LIVE is generously sponsored by The Cultch and CBC Radio 3.