We've got it all right here, folks! Everything that's ever been written up, photographed, and discussed on the Sad Mag website. Enjoy browsing our archives!



Tara Mahoney is one half of the Gen Why Media Project dream team, a “community building project that uses public art, participatory media, events and intergenerational dialogues to engage society in new forms of civic participation.” Given their commitment to community engagement, it makes perfect sense they would be part of the force behind this Monday’s Reimagine CBC Celebration. We talked to Tara about the event and why you should get involved in your public media.

Sad Mag: Hi Tara! Who are you and what do you do?

Tara Mahoney: I’m the co-founder and creative director of the Gen Why Media Project. The GWMP is a community building project that uses media, public art, events and intergenerational dialogue to engage society in new forms of public participation.

SM: Why did you get involved in the Reimagine CBC Celebration?

TM: We strongly believe in public media. We need a non-commercial provider to conenct us with the rest of our country, promote democracy and explore knowledge about ourselves and our culture, even if it’s not profitable. Commercial broadcaster cannot do that to the same extend as public media can. So that’s why when Open Media approached us about hosting Reimagine CBC event, we were totally on board. It’s an honor to be a part of a movement that encourages people to come together in a creative and generative way around such a deeply Canadian institution.

SM: How did  OpenMedia and Leadnow.ca get involved? How do your organizations fit together?

TM: OM and LN both exist to promote civic engagement (in one way or another) and so do we. We have different approaches and focuses but ultimately we are trying to accomplish the same the goal, so it makes sense for us to join forces. Plus they are wonderful people and good friends.

SM: The CBC has such longevity as a Canadian institution. What makes it so beloved? How do they stay relevant?

TM: The CBC does many things very well and it has done a good job of innovating with technology – especially with their radio offerings. I think the one thing that keeps them relevant is that they reflect our Canadian identity back to us. They feel like a family member – a reliable and trusted source of knowledge. That is a profound and strong foundation to build on.

SM: What are you most excited about with the Reimagine CBC Celebration?

TM: Hm, that’s a hard one. I’m really excited about everything, we have an amazing group of participants. It will be great to see Wade Davis speak and hear a story from Ivan, and Steve Pratt always dazzles with his visions for innovation and the music will be great, it’s all exciting!

SM: What is your hope for the dialogues generated during the event?

TM: My hope for the dialogues is that people walk away feeling good and positive about how we can shape our public media together. I want people to feel like they have a stake in the CBC and responsibility to protect it, while also imagining the possibilities for the future.

SM: Do you have a vision for the future of the CBC?

TM: I think I’d be cool to see it be more open and integrated into communities so as to promote more cultural production. There is so much talent in this country, it’d be great to see the CBC as a platform that encourages and promotes crowd-sourced cultural innovation.

Get all the details on the Reimagine CBC Celebration here!

Sarah Swinwood has been performing at Hip Hop Karaoke since May 2011! And she generously lent us some of her remaining time in No Fun City before she moves to NYC!

Read on to learn about this fab lady of the Fortune Sound Club stage!


Sad Mag: Where are you from and where are you headed?

Sarah Swinwood: I am from Ottawa, Montreal, Ireland. Peru, and I am headed to New York City.

SM: How did you first hear about Hip Hop Karaoke?

SS: I saw it on a flyer when I came to stay in Vancouver for awhile  May 2011. I rap and write songs, so of course everyone said, “You gotta do this, you have to sign up!”

SM: What was your favorite song that you performed?

SS: Flavor of the Month by Black Sheep

SM: How often do you practice a song before going on stage?

SS: Usually not very much, I choose songs that I know by heart, inside out and upside down. I want to do justice to my favorite jams so I usually listen and read over the lyrics to brush up a few hours before.

SM: What do you love about performing at Hip Hop Karaoke?

SS: Fortune has the best sound system. The stage set up is perfect, and it’s always a packed, hyped audience. Flip-Out and Seko hold it down on the stage, and Chadillac, Paul Gt, Chris Dzaka and all the Fortune staff make it such a welcoming, comfortable experience. Overall I would say the sound system and audience enthusiasm knock it out of the park.

SM: Do you do any other live performing?

SS: I am also and MC/ Sarah Tone In, so I do my own shows, and also stand up comedy at other places around the city and now New York.

SM: What are your thoughts about Vancity as you head East?

SS: Vancouver can be a tough nut to crack. It’s a younger city, and there is not a very big Jamaican community, which makes it difficult to trust at times. I like a city with strong multiculturalism and flavor. I am happy to be heading back east for these reason. My very favorite part about Vancouver was performing at this event, and of course, the mountains and the ocean.

SM: Where can we find you/listen to your stuff?

SS: I am in production now so I do not have much out yet – it is coming and it will be a sweet surprise! Just keep your ears open for Sarah Tone In the MC and Sarah Swinwood the Comedian. You will see me on David Letterman and the cover of iD magazine. Swoon! Lots of love, and take care.

Issue 9 Launch at Hip Hop Karaoke
May 14 2012
Fortune Sound Club  (147 E Pender)
$3 before 10:30PM, includes a new issue!
RSVP on Facebook

The best way for the CBC to thrive is to build a community of supporters who have a true sense of ownership over the organization. To this end, as part of a national campaign led by media advocacy groups Open Media and Lead Now, Gen Why Media is bringing together seasoned professionals, up-and-coming CBC talent, outside experts, media innovators, and citizens in a celebratory event that will add new energy to the CBC and help articulate a fresh vision for public media.

Opening Performance: Intercultural performance that showcases Canada’s diverse talent, cultural innovation, and artistic excellence.

Storytelling: Three cultural creators tell stories about their lives as Canadians, and how the CBC has been pivotal to their goals, careers and understanding of their country. Stories from:

  • Christine McAvoy (local music blogger and photographer)
  • Ivan Coyote (writer, storyteller, performer)
  • Wade Davis (author, anthropologist, National Geographic Explorer-in-Residence)

Dialogue: On-stage “living room conversations” where participants reflect on the CBC and progressive media platforms, asking questions such as – How do we imagine the future of Canadian media? How will the CBC grow over the next 75 years? What areas for growth, change, transformation, and innovation could it pursue? What ideas or models could inspire its next generation of work? Participants:

  • Jarrett Martineau (independent cultural producer)
  • Kathleen Cross (Professor at SFU School of Communications)
  • Sean Devlin (of Shit Harper Did)
  • Steve Pratt (Director of CBC Radio 3)
  • Nettie Wild (acclaimed documentary filmmaker)

Closing Performance: Local super group of indie musicians. Performances by: Dan Mangan, Aidan Knight, Hannah Epperson, Zachary Gray (of the Zolas).

May 7th, 2012
The Vogue Theatre (918 Granville)
Doors at 6PM, Event at 7pm (sharp)
$15
Buy tickets here
RSVP on Facebook

Learn more about the campaign.
Learn more about Gen Why Media.

My first forays into Vancouver nightlife were really confusing. I was accustomed to packed venues and serious nights out among crowds of literally thousands in some cases. This felt very, very different. The vibe out at the club was a lot more reserved; people weren’t as friendly or outgoing as in Toronto and they just didn’t seem as cool or interesting to me the majority of the time….

What makes one place so live and another so low key that it borders on culturally void? It’s something I have spent a lot of time trying to figure out. The weed is not an excuse. People smoke just as much in the East. I would hear people say, “Oh, I never go out,” like it’s cool or something. I would think, “That’s why your scene is wack! You don’t support anything or anyone.” When you don’t nurture something, it shrinks and eventually dies.

geneva.b, Issue 9 (the TRANSPLANT issue)

Get your issue at our launch party on May 14th (save the date, details coming soon!), or subscribe now! And check out geneva.b on SoundCloud!

Stylists: Jerisse de Juan, Shu Cheng; Makeup by Jerisse du Juan.

At Sad Mag HQ we take an interest in all art forms, or at least we try; personally, I can’t sit through a musical unless it was penned by Joss Whedon. But when we heard about a velvet art show, we were curious: velvet art? What is that, anyway? We inquired with Peter Short, one of hte curators of The ILL’N Velvet Show, about this rare and beautiful (one might say unicorn-esque) art form.

Sad Mag: Why velvet?

Peter Short: Velvet is so soft and smooth. It feels good against your mustache. It’s sexy yet sophisticated. Many people who hang velvet paintings also climb mountains and drink only the finest scotch. These are just a few reasons.

SM: What made you decide to do a whole show with velvet art?

PS: I think its safe for us all to admit just how bomb velvet paintings are. It’s true that the factory production of velvet paintings that existed in the 1970s was a bit of a bummer. Everyone was left with a cheesy impression of what velvet paintings could be but its just an unfortunate misconception. It was only a brief moment in the long history of paining on velvet. The medium has endless possibilities. We wanted to offer art lovers a different kind of gallery experience. The show is a celebration of the ILL’N Club’s second successful year in operation so we wanted to do something fun and unexpected.

SM: Is velvet art making a comeback?

PS: There has always been a desire and interest in velvet paintings. It never really went away. The problem is that the average art lover has to depend on the thrift or antique market for their supply of works on velvet. Quality paintings are only getting more scarce and desirable. Even ‘bad’ velvet paintings can have an outsider quality to them which is very sought after for some collectors. It’s sustained popularity has even necessitated a velvet museum called Velveteria which is now relocating to LA from Portland due to its growing popularity. They are seriously carrying the flame as well as the collectors of this great art form. Collectors whom we can only assume are mostly spies and secret agents. They like to come home after a hard day and puff on their pipes while getting the evening news from Ron Burgundy and the Channel 4 News Team.

SM: When was it in style, anyway?

PS: We’re not even sure, really. Archeology can only tell us so much but we know that it popped up soon after velvet was invented in Kashmir. It was once treated quite seriously and the paintings mostly dealt with religious iconography. Sacred images painted on what was then a seriously luxurious material. There are velvet paintings that are hanging in the Vatican to this day. Who knows. Maybe all the popes smoked the dope.

The ILL’N Velvet Show: Closing Party

7:00PM, April 21st, 2012

Chapel Arts (304 Dunlevy)

$5 at the door

Free moustaches to the first 100 guests.

RSVP on Facebook


(If you can’t wait til April 21st to see the show, you can arrange a private preview. )

Sad Mag: Who is Jeff Downer? What do you do?

Jeff Downer: I can’t remember the last time I was bored. My favorite thing to do is to go where I have never been before. I am a photographer. But when I think of a photographer, I think of one who shoots manicured fingernails on a bed of diamonds, a freshly-washed, well groomed poodle, or a structurally accurate rendering of a building that looms large overhead.

I use the medium of photography to present to others what I find around me when I am haunting the streets that may otherwise go unnoticed. I think if I wasn’t photographing, I would like to own a nick-nack shack on the side of the road, selling strange oddities, horrible coffee, mediocre food, smoking cigarettes, somewhere lost in the deserts of New Mexico.

SM: Why did you transplant to Vancouver?

JD: I moved to Vancouver because the stagnant pressure of the suburbs was too intense. In high school I spent my time doing homework at the bus stop, scrawling mathematics — a subject I disregarded — using the metal pole as a surface to write, or reading Franny and Zooey for English on the long bus ride into the city. This is also where I met some close friends, others who were just as estranged by the suburbs as myself who put up with the long bus ride down the highway, through countless strip malls, suburban lawns, taking us to the then old, defunct Woodwards on Hastings. However, like most Vancouverites I know, give me one year and I will be thinking about leaving and moving elsewhere.

SM: What did you shoot for Issue 9?

JD: Photographs I took when I was hitchhiking across North America, shortly after I realized how much a 9-to-5 was the least congruent thing I could do to myself. It was like wearing one of those radiation protective jackets they stick on you at the dentists when making x-rays of your teeth; it was that heavy. The other was of a terrific restroom in an Elvis themed cafe, lost in the middle of the highway somewhere near Hells Gate, BC, that had the kookiest owner ever. Imagine an Elvis paraphernalia hoarder with two shih tzu’s that probably hadn’t talked to a single individual for the better half of the morning.

SM: What do you love about photography?

JD: I want to describe the world around me, and attempt to do this through the medium of photography. I photograph what is around me, things that are just there, things that I am interested in. I like the process of taking pictures, wondering around finding things that catch my eye. The photograph is secondary to this act of moving through the world, and is sort of a document of this process.

SM: Do you have a favourite photo?

JD: Yes I have one, but no one will ever see it.

SM: Favourite local photographer?

JD: Besides Bryan Adams (kidding), has to be Tim Barber, even though, he lives between Vancouver and New York. His “untitled photographs” are so alluring and are refreshing moments that loaded within the moment. Beautiful.

SM: Where can people see more of your work?

JD: If anyone is going to be in Boston, I am part of a group show opening Friday the 13th at the Presidents Gallery. I have two publications out, one called “Gol Nu Get Mote” but the first pressing is currently sold out, and a new book coming in May “[ver-seylz]”. I have a website too.

Catch Jeff’s photographs in Issue 9, on stands everywhere at the end of April!

Read Part I (an interview with RC Wes­lowski) here.

The second annual BC Youth Poetry Slam championship, Hullabaloo, is coming to Vancouver April 10-14!

The creation of RC Weslowski and Chris Gilpin of Vancouver Poetry House, Hullabaloo brings young slam poets from across the province together to compete on stage. Not a fan of regular poetry readings? Don’t worry– slam poetry was actually conceived as the answer to the boring poetry recital.

As we covered in the last post, there are few rules to slam poems (no props, no music, nothing over three minutes) and winners are selected by randomly-chosen audience members. That ensures each event will be unpredictable, exciting and nothing like the last. Don’t miss it!

The Teams:

15 teams from around the province will be competing- one of which will be formed April 9th in the Last Chance Slam Cafe Deux Soleils, as youth ages 14-19 who are not yet registered for Hullabaloo will compete for a spot on the Wild Card Team.

Details on the Last Chance Slam.

Preliminaries:

April 11th and 12th
The Vancouver Art Gallery (750 Hornby)
4:30PM-9:30PM
Free (Details)

Finals – Individual

April 13th

The Rio (1660 E Broadway)

7:00PM-11:00PM

Details

Finals – Team

April 14

Granville Island Stage (1585 Johnston)

7:30PM-9:30PM

Details

Visit Hullabaloo to get your tickets now!

Sad Mag: Who are you?

Tim Rolls: Hi! I’m Tim Rolls, a passionate designer, instructor at Vancouver Film School, and founder of Art Not Ads. We’re a collective that works to make public space beautiful through installations and community projects.

SM: What is Captures about?

TR: Captures is about giving Mount Pleasant residents a chance to tell stories about their community through photographs. Each participant becomes a thread in a visual tapestry that shows the diversity of the neighbourhood. The exhibit allows visitors to create their own stories as they connect with the photos, and we hope it helps paint a better picture of what the community is about.

SM: How did the idea form between the three of you? Have you done other work together in the past?

TR: After hearing about the Neighbourhood Small Grants program, I started researching communities, how they’re defined, and what really makes one. It seemed everyone had their own response, so it became the perfect subject to explore for the project. I went to college with Celia, and we’ve worked on one major project called Solstice, for the Illuminate Yaletown festival in 2011. I had worked with Matt in a studio capacity before, and when I told him about the project, he was eager to help in any way he could. All three of us had our own strengths that contributed to making this happen, and it was great to see it unfold that way.

SM: How did you fund the project?

TR: Our initial grant was through the Vancouver Foundation’s Neighbourhood small grants program. As the project evolved and grew, we got a print sponsor to help with the growing final production costs. They fell through at the last minute, so we turned to crowd funding through Indiegogo to make the project happen. The response was phenomenal, everyone was very supportive, we even had local blogs and publications helping to get the word out. We raised over $2100 in about 2 weeks, surpassing our goal.

SM: How did you come up with the idea of a scavenger hunt?

TR: We wanted to give participants a starting point, to get them thinking about the things that make their community great. Even for myself if worked well, because the list would stick in my subconscious, and I’d see something while walking around and think “OH, that’s perfect!” I think that’s the fun part, like urban treasure hunting.

SM: Any that didn’t make the exhibition that stood out in some way?

TR: We tried not to filter the images, these are other people’s ideas, and it was important not to censor them. There were a couple that we had to take out, due to being really low quality and hard to make out. I was definitely surprised by the number of bicycle photos… this community really loves their bikes!

SM: What’s your favourite thing about Mount Pleasant?

TR: My secret spot, the climbing tree. It’s this enormous, beautiful old conifer on top of a hill. It looks normal from far away, but you can pull the branches apart and inside is a clearing where the branches are all worn smooth from years of climbing. About halfway up is a net installed like a hammock, where you can lay and see all of downtown and the whole north shore. It’s pretty magical.

SM: What’s your hope for the future of Captures?

TR: Captures grew so much from our initial concept, which was based around distributing disposable cameras to a small group of residents. It would be great to take it even further, maybe featuring entire cities. With the internet and digital photography being so ubiquitous, I’d love to see where we can go with it.

SM: What are some of your other favourite public art projects in Vancouver?

TR: I really love the work Alex Beim and his crew at Tangible Interaction are doing. They’re great guys, too. They did a temporary installation during the Olympics called “Seed of Truce” that allowed participants to write their thoughts on a “seed” that contained an LED light. The seeds were shot up into the air and fluttered down into a net, where they collected and grew as more people contributed. Like a modern wishing well of good intentions.

SM: Do you think Vancouver is No Fun City or is it a good home for creative people and communities?

TR: I moved here from Edmonton about 3 years ago, and it was definitely the creative communities and energy that drew me here. There is also a very money-driven, business oriented side to the city, but whatever you’re into artistically, there’s a community for it here if you look for it. Toss in the mountains and ocean for great energy and inspiration, and you have an amazing place for creative people to live.

Check out Captures, now exhibiting on the corner of Kingsway and E Broadway, across from Our Town!

To follow the work of Art Not Ads and get involved in their next project, find them on Twitter & Facebook

Vancouver’s favourite storytelling night returns on Thursday, March 29th, with an evening of stories about border crossing. With our upcoming Issue 9 themed around geographic borders and identity boundaries, well, we’re pretty excited to hear what they have to say.

Rain City Chronicles has been enthralling audiences since December 1st, 2009, when their first show was staged at Little Mountain Gallery. Featuring speakers from all walks of life sharing five-minute stories loosely organized around the theme and punctuated by musical performances, the nights are entertaining for their unpredictability, honesty and intimacy. Rain City Chronicles is the creation of two ladies, Lizzy Karp and Karen Pinchin, who impressively orchestrate a flawless, uniquely entertaining event every two months, wrangling new storytellers and winning larger audiences each time.

This coming Thursday promises to be spectacular as usual, with musical performances from The Ruffled Feathers and Christopher Smith. Storytellers are yet to be announced, but the mystery is part of the fun. Bring your friends or come alone and make some new ones- but don’t miss it!

Rain City Chronicles: Crossing Borders
Thursday, March 29th, 2012
The Western Front (303 East 8 Avenue)
6:30 PM
Tickets