About Leah Vlemmiks

Leah is a Graphic Design and Illustration student in Vancouver constantly inspired by her friends, colleagues and her two majestic guinea pigs. When she grows up she wants to be an Art Director and retire as the owner of a Guinea Pig Rescue on a peaceful island with a moderate - warm climate.

If Cupid’s arrow failed to strike last week fear not for you will fall head-over-heels for this work by Vancouver-based branding studio The Still Brandworks. Owned by two under 30’s, this small shop packs a big punch. I was particularly drawn to two pieces from their portfolio – their rebrand of The Vancouver Club and a “generative brandmark” project for Forward, an online Art & Culture magazine focussed on Canada’s Native communities.

Andrew Simpson of The Still shared the inspiration behind The Vancouver Club rebrand, “Our work for The Club… focused on… celebrating… the culture that has been lost in years past. Like renovating a heritage building, the goal was to make things more like themselves, not like something entirely new or different…Their new brand has its roots in the 98 year – old building [it] occupies. A monogram with over a hundred years of tradition was…refined from existing engravings to form the new face of The Club. The… website takes its inspiration from the pages of Harper’s Bazaar circa 1960. It plays heavily on how traditional magazine spreads might translate to a browser window or the screen of a mobile phone.”

The Vancouver Club - Full Branding by The Still Brandworks 2011

Further, Simpson explains the concept for the Forward logo as a “generative brandmark built from satellite maps of the areas Forward writes about. As a new story is published, the mark is dynamically rebuilt and refocused on the area that the story is about. The intention was to address the huge and varied physical and cultural space that the audience and subject covers. The end result is built from elements of sacred spaces, circles, Canada’s supernatural landscapes and a strong, urban typeface. Like the people it represents, Forward exists in contradictions of natural and urban, physical and digital, traditional and modern.”

Forward - Branding by The Still Brandworks 2011

It’s not surprising that, at only six months old, The Still is booked solid through 2011. I’ll certainly be keeping my eye out for more.

To find out more on The Still Brandworks visit their site.

Monday blues setting in? Scroll through these visual treats by Vancouver-based designer and illustrator LAUDER aka James Lauder Marsden and you’ll be feeling Friday five o’clock fantastic in no time!

I haven’t yet seen A Single Man but this poster’s retro aesthetic and intriguing concept makes me want to run to the closest Rogers, grab a bag of Cloddhoppers and get down to business (of course after I finish this post). Lauder says of the piece, “With this illustration, I wanted to capture Tom’s use of desaturation (regular life) & over saturation (heightened emotion) in the film. The reflection in the glasses being the main character’s sort of romantic interest at different points in the film. Whatever I design I try to simplify it to its core idea or feeling.”

Poster for A Single Man Film
A Single Man (2010) - James Lauder Marsden

One of my favorite tidbits from Lauder’s portfolio is his Drawing A Day concept. We all get busy with our lives and often forget what makes us love what we do, but Lauder keeps his creative fire stoked with this daily exercise (when he can). “As a child I was a huge Jim Henson fan, I loved The Muppets, Sesame Street, Dark Crystal, anything and everything Jim Henson…he’s had a huge influence not just on my style but also on how I see the world. I wanted to visually express the memories from my childhood in these characters…” Honestly, who doesn’t love The Muppets.

Monsteresque (2010) - James Lauder Marsden
Monsteresque (2010) - James Lauder Marsden

Another highlight of Lauder’s work is his nod to pop culture, both past and present, in his typographic series I’d rather look schleppy than preppy (2010). “Inspired by a quote from Sarah Silverman’s dad, this typographic based design was a play on the fashion industry’s push for us to consume the new look. Schleppy derives from the word schlep of Yiddish origin (meaning run-down, dowdy or frumpy)… I thought who better to contrast and play on this than Jewish actress Audrey Hepburn with her classic preppy look?”

Typographic Poster
I'd rather look schleppy than preppy (2010) - James Lauder Marsden
I'd rather look schleppy than preppy (2010) - James Lauder Marsden

LAUDER aka James Lauder Marsden was born 1978, in Yorkshire England and moved to Vancouver in 1981 where he exhibits his art and illustration between fits of popular culture espionage. He is currently working as an artist, freelance graphic designer & part time instructor in the Graphic Design Department at VCC. Check out more of Lauder’s work at astrolauder.com and  astrolauder.com/blog.

If you’re a Vancouver-based graphic, web, or industrial designer, typographer, architect, student or lover of all things design, send me your work Leah.Vlemmiks@gmail.com


If you chuckled at that terrible pun you’re in the right place (okay fine, even if you didn’t chuckle). Allow me to introduce myself, my name’s Leah and I’m going to be blogging weekly for SAD about Vancouver’s unbelievably diverse, innovative and talented design scene. I am not a design expert nor am I a critic, I just have a passion for things that make me smile that just so happen to include grids, Paul Rand, Garamond and flush right ragged left among others.

So Let’s Talk About Text, Baby (okay I know that was awful)…and infographics, typography, branding, logos, print, packaging, furniture, architecture, web, UI, U name it! Send me your work (leah.vlemmiks@gmail.com), if you’re a local graphic, industrial, or web designer, architect, student, or undeclared lover of all things design!

Cheers,

Leah