If you’d asked me last week whether I would like to spend my Friday night in a dark theatre watching homemade pornography with a bunch of strangers, my answer would have been a simple, resounding, “Never.”

But that was before I spoke to sex columnist Dan Savage about HUMP! Dirty Film Festival, an amateur porn festival that has been bringing surprise, love and laughter to audiences since 2005. Curated by Savage himself, HUMP! encourages everyday citizens to create their own homemade five-minute dirty videos for the chance to “become temporary, weekend porn stars” and win cash prizes. This year, Savage is taking the festival on a tour of the Pacific Northwest with 18 of the hottest HUMP! films in action. As always, the lineup for this year is diverse in style, content, and tone, and showcases a variety of sexual orientations, genders, and kinks. Highlights include Beethoven’s Stiff (2013), described on the HUMP! website as “precisely what would happen if your genitals dedicated themselves to classical music,” and Porn All The Time (2013), a rap video about excessive porn intake.

Needless to say, HUMP! got me curious. To find out more about the festival, I interviewed Savage for the scoop on the good, the bad, and the dirty of amateur pornography.

SAD Mag: Why do you think that people make amateur porn?

Dan Savage: People make a porn because they want to show off, they want to share their particular things, because whatever it is that they’re interested in–whatever it is [that] turns their crank–may be underrepresented, or not represented, in commercial porn or in mainstream porn.

The porn we get at HUMP! isn’t just exhibitionist, and it isn’t just from people with a social justice point agenda. We tell people that we’re going to do our best to make sure that they’re pornstars for this weekend in this movie theatre, not pornstars for eternity on the internet. So we get a lot of films from people who wouldn’t do this if there was an online component. A lot of it is really interesting, crazy, fun films [are] being made by people who might not make porn otherwise, but want to make a really good, funny film with a nod towards porn or erotica. What you’re seeing at HUMP! is really works of art that allow for fun sex, that allow for the representation of things, acts, activities, kinks that people wouldn’t necessarily think of as erotica.

SM: But why do people want to watch amateur porn? Why come to HUMP!?

The audiences at HUMP! don’t come to sit in the theatres and masturbate; there aren’t a lot of coats in laps rising and falling. People come to watch because it’s entertaining and interesting…they want to have a laugh, they want to be shocked. They come away from HUMP! with hopefully a little bit more than that.

We watch the audience to make sure that no one’s taking photographs or videos during the screening. This is what I see: for the first eight films, the gay guys are freaking out and thrown back in their chairs because they’re watching cunnilingus; the straight guys are like, “Wow!” because they’re watching hardcore gay buttfucking; vanilla people are like, “Holy crap!” because they’re watching hardcore kink porn. [Normally] when you sit and watch porn, you click on only what you want to see; you curate it for yourself. At HUMP!, we’re clicking for you; you don’t get to click.

And then this amazing thing happens: about a third of the way through the festival, everyone starts cheering for each film. People aren’t flinching or looking away; everyone’s loving each film. For the first handful of films, all anybody can see is what’s not their thing; all anybody can see are the differences. About a third of the way, or halfway, through, everyone’s seeing what’s the same. Lust is the same, passion is the same, humour is the same, attraction is the same. Those experiences are the same. All of [what’s] underneath the incidentals–[underneath] the kinks, the genders, the orientations–all of that is exactly the same, and all of that is more important.

About halfway through, you look out and you see that same gay dude who was very elaborately freaking out the first time he saw the cunnilingus. [By] the third time he watches it, he’s…cheering and laughing and clapping with everyone else. It’s beautiful.

SM: In an interview with Vice, you refer to the HUMP! experience as “the old-fashioned way” of watching porn. What does enjoying porn publicly bring to audiences? What sets it apart from more “conventional” enjoyment?

DS: It used to be that if you wanted to see a dirty movie, you had to go to a dirty movie theatre. You were kind of outing yourself as someone with an interest in erotica or dirty movies by walking through the door. You had to own it.

Then came VHS tapes and town got its little video rental store and a little corner of it would be erotica and dirty movies. Even then you had to out yourself by walking into the dirty movie section and choosing one and taking it to the counter. People tended to be mortified.

And then along came the internet–now we can do it in secret. Porn [became] something that we do all by ourselves, all alone. We lost that communal aspect of it, we lost that having to own it, having to walk through the door and say “This is something I’m interested in. This is what I want to see.”

HUMP! brings that back. You walk through the door and you’re saying, “I have a healthy and sex-positive attitude. I want to watch these dirty movies, and I’m not embarrassed or ashamed to be seen walking into this theatre to watch these dirty movies. We’re all in this together.”

SM: To my knowledge, at least, there is still no consensus within the scientific community whether porn and sexual violence are related. Can you speak to this controversy? How does HUMP! fit in here?

DS: There’s actually a really terrific article in Scientific American called “The Sunny Side of Smut” that I think demonstrates–and there’s a growing body of evidence that demonstrates–that access to access to hardcore pornography does not fuel sexual violence. In fact, I think the opposite. When you look at the stats for sex crimes and sexual violence, those rates have been falling for decades, just as rates for other violent crimes have been falling for decades. At the same time that those rates have been falling, access to hardcore pornography have skyrocketed. If viewing hardcore pornography and violent images lead people to commit sex crimes, then we would expect the opposite to have happened.

You can’t do a controlled experiment with this, you can’t lock people up all their lives and expose them to pornography and others not. But the evidence that we do have seems to indicate that what I remember people saying when I was in college in the ‘80’s–that porn is the theory, rape is the practice–just isn’t so.

I think the porn at HUMP! is often the antidote to porn that is negative, that makes people feel bad about their sexualities. The people who make films for HUMP! are making them for fun, they’re not being economically coerced, they’re not being forced. The films at HUMP! are people getting together with their friends and lovers [to] make a porno that they’re proud of and want to share with people. Not to feed their children, not to pay the rent, but to create joy.

One of the raps against porn is that it’s dehumanizing. Once a woman came up to me after watching a HUMP! screening and told me that she doesn’t really like porn. [Then she] said, “That was humanizing porn that I watched tonight, very deeply humanizing.”

SM: Do you have any advice for first time HUMP!-ers? How can they make the experience less awkward and more fun?

DS: Have a little pot, have a drink (but don’t get drunk, though!). We’ve had shows during the festival where people will go out and get drunk and then come to the show, and I don’t necessarily recommend that. We’ve had people throw up.

Just come with friends and don’t be afraid. In all those almost dozen years we’ve been doing HUMP!, we’ve only once had to ask someone to stop giving a blowjob during the screening; the genitals are going to be up on the screen.

One of the rules at HUMP! is no assholes in the seats, assholes on the screen. We have a very strictly enforced policy of no catcalling, no jokes made at the expense of the bodies, the genders, the sexual orientations, the gender expression, the kinks, the colours, the shapes, the size of the body modifications, the anythings of the people up on the screen. People will gasp and clap and react, but [there will be] no assholes in the theatre, [only] assholes on the screen.

HUMP! comes to Vancouver’s Rio Theatre on September 18 & 19. Tickets and showtimes available here.