A Venn diagram of art enthusiasts and Bill Murray lovers would have a very large overlap indeed, considering that both indisputably make the world a better place. And while attending an art show can be an intimidating activity for those of us who would rather be at home watching Ghostbusters, the folks who brought you the Steven Seagallery are back with Bill You Murray Me, an art show that celebrates the man, the legend, the one and only.

The show was originally planned for February 11th, but after being overwhelmed by submissions (anyone and everyone was invited to send in their best Bill Murray-themed work, in any artistic medium), the show was pushed back a week in order to find a larger space. The Fall (644 Seymour) will be hosting the event, which also includes drinks and music.

Bill You Murray Me: Group Art Show
The Fall (644 Seymour)

7:00PM-2:00AM

By donation
Full details on Facebook

On Monday night, Vancouver’s swaggering funk-rap group Panther and the Supafly will be playing live instrumental versions of hip-hop classics while karaoke hopefuls get live on the mic. If you’ve never been to Fortune Sound Club’s Hip-Hop Karaoke, widely considered to be Vancouver’s best Monday night out, this is an excellent opportunity to check it out. And if you’re already a Hip-Hop Karaoke fan, you shouldn’t miss the chance to see the night go unplugged like Jay-Z and the Roots on MTV. Panther and the Supafly will also be rocking tracks from their debut EP “Nikazi.”

Sad Mag’s exploration of the complex motivations of Hip-Hop Karaoke performers continues here:

Tim Mortensen

Shmuel Marmostein: What got you into Hip-Hop Karaoke?

Tim Mortensen: I was at a Nice ‘n Smooth show here wearing a Gang Starr t-shirt, and they pulled me on stage.It was right after Guru died and they were pouring out orange juice on stage, it was crazy! A friend of mine who knew about HHK saw that and suggested we perform DWYCK, the song Nice n’ Smooth were doing.

SM: What was your favorite song that you performed?

TM: Halftime by Nas, on Halloween. It was one of the hardest songs I’ve ever done. It was fun because I was dressed as b-boy priest in gold chains.

SM: What about by another performer?

TM: A Busta Rhymes song by local MC Kaboom Atomic, he did it perfectly.

SM: That’s hard! How much do you usually practice?

TM: It depends on the song. For some of them I’ve already liked the song for a while, so it’s easier. I usually practice the song 15-20 times. I always rap over the vocal, and then I switch to the instrumental, which is a lot harder! For the Nas one, I did it 30 times or more.

SM: What do you love about performing here?

TM: The good vibe, and the fun I always have at the night itself. It’s a privilege to perform. You do it once or twice and you get addicted. It’s great experience if you want to be a performer because you have the spotlight on you. And I love hip-hop, so I get to do what I love.

Chad Iverson, event organizer and co-founder

Shmuel Marmostein: What made you start the Hip-Hop Karaoke night?

Chad Iverson: Paul [Gibson-Tigh, the other founder and organizer] told me about the HHK night in Toronto, and said we should do it here. It was just a drunken conversation on Third Beach, and I though hhk sounded like the illest idea.

SM: What was your favorite song that you performed?

CI: Earl by Earl Sweatshirt, or the one I just did, Tried by 12 by East Flatbush Project. I love that song and I’ve been wanting to do it forever. It’s an underground classic.

SM: It was awesome, you killed it! What about by someone else?

CI: That’s a really hard question…maybe Kyprios doing Passin’ me by at the one-year anniversary show?

SM: How much do you usually practice before performing?

CI: Way too much. If you take a look at my lastfm site, all my top songs listened to are ones I’ve performed!

SM: What do you love about performing here?

CI: The ego boost. It feels good! It’s a rush being on stage. I’m also paying homage to a genre of music and a culture I love. I never thought I would be running a hip hop night in Vancouver, that’s for sure.

SM: How has putting on this night changed your life?

CI: Well, this night has made Fortune a second home. I do promotion here and I’ve learned a lot about, I don’t want to use the term, the “clubbing scene.” It’s a potential career changer. The changes have all been positive, definitely.

Hip-Hop Karaoke: Panther and the Supafly

Fortune Sound Club (147 E Pender St)

$4 cover before 10:30PM, $8 after

Full details on Facebook

Dispatches
By Matt Roy

From Sad Mag issue 7/8.

Toronto is so big, who knew? When I moved here from Vancouver I instantly found myself a small town boy with a West Coast drawl and not the city man I claimed to be, slowly but surely mapping out the “New York of Canada,” a navigation that included sussing out the gays: “turn left on Church Street,” says my iPhone.

Ten times bigger than Vancouver in practically every way, Toronto has shown me a new version of queer, of community, of responsibility. And I’m learning a lot. For instance, it is not cool to make trans jokes because you have no inkling of who may be trans—especially the hot bear you’ve been chatting with at the bar. My ‘Couve apathy will be the death of me yet.

People take their politics seriously here. With Mayor Rob Ford planning to cut AIDS funding off at the knees, among nearly every other essential social service, queers and generally all compassionate liberal (human) souls are assembling, and I’ve been swept out to sea (or into lake I suppose). Whether I’m marching in Slut Walk, or discussing my role as queer on a rooftop deck, partially (fully) inebriated, there’s no escaping the fact that I’m now a participant and not the voyeur I once was.

Illustration: Parker McLean.

Emmett Hall is something of a comedy overachiever. He is one half of heavy metal band Knights of the Night, performs with the Sunday Service and is featured on their monthly podcast (A Beautiful Podcast), and still finds time to hang out with Sad Mag when he’s not illustrating My Little Pony. You’ve probably seen him all over town, but tomorrow night you can see him on the magnificent Cobalt stage. Read on!

Jeff Lawrence: Tell me a bit about yourself and what you do when you’re not being funny. Or are you always funny?

Emmett Hall: I am a British Columbian by birth who’s been working in the animation industry for about 8 years. Currently storyboarding on My Little Pony. My face is crooked, so I am always funny.

JL: I heard you are in a band called “Knights of the Night” where you play metal dressed as actual knights. Discuss.

EH: Comedian Ken Lawson and I realized we had a mutual love for heavy metal. Ken’s an extremely accomplished guitar player and I can fake my way through the bass and sing. We figured we could convince people to watch us play metal so long as we mince about in a jocular fashion. It’s tricky because we want to stay true to the glory of the music itself, but never stop taking the piss out the bombastic chivalrous personae blasting it out.  Our armour consists of long -johns and altered dresses.

JL: What do you like about doing comedy?

EH: I like that I can invent contexts that are completely unacceptable and incoherent in any other form of expression.  Comedy is also a very entertaining way exercise/exorcise my personal confusion and ego.
And most importantly, in the end times…when there’s nothing left, there will still be something funny.

JL: What do you dislike about it?

EH: The lack of satisfaction in performing, I guess. When people laugh at something I do, then I settle on the objective that that was merely the intended response. Generally nothing more. When I bomb, the weight of the all the work and effort I put in topples down in the wake of humiliation I subjected myself to.
How dramatic! Nontended response [sic]!

JL: What kind of humour do you find the funniest?

EH: Mine. Done properly. So not by me.

JL: On a scale of 1-10, where do you place your feelings on Valentine’s Day and why?

EH: I’d give it a 2 because Valentine’s Day is so important.

Sad Mag Comedy Show: Valentine Edition

February 9th

The Cobalt (917 Main Street)

Doors at 8:00PM, Show at 9:00PM

$10 cover, includes a 1-year Sad Mag subscription and dance party admission

RSVP on Facebook

We could not be more delighted that Sad Comedy: Valentine Edition will be hosted by the lovely Caitlin Howden. Originally from Montreal and trained in theatre at Ryerson in Toronto, she has a very long list of awards for being funny and also has a pretty amazing worst-show story. Read on!

Sad Mag: Who is Caitlin Howden?

Caitlin Howden: “OH, that’s me.” I emerge from the back of the room looking guilty and afraid.

“Why? What happened? What did I do?” I put away my cell phone, which I was using for one of my many fake phone calls I have to look less awkward in my own body. “Did I block anyone in? You’re not going to make me to a handstand, are you?”

SM: How did you end up in Vancouver? / What do you miss about Montreal?

CH: I spent 9 years in Toronto and I fell in love with it. I a very proud Montreal native, because it makes me feel just a bit cooler. I go back to both cities quite often. But I had never been to Vancouver. Everyone was talking about how booming the film and TV scene was out here. In Toronto, there are commercials and Canadian TV a-plenty, so I thought I would try my hand out here. Turns out as soon as I moved out here things just dried up. The US started offering the same tax credits that made Vancouver so alluring to US work. So here I am! Ah, but don’t feel so bad for me. Come on, stop crying. There is a happy ending, I have also fallen in love with Vancouver. I love my Canadian cities like I love my men; hard to reach and in threes. (improv joke)

SM: What was your first stage performance?

CH: I played Auntie Em in the Wizard of Oz in grade 3. I thought I was playing Dorothy, because that was what my brain heard. Then we showed up for first day of rehearsal and I cried.

SM: What do you like about doing comedy?

CM: We make people laugh. And laughter is good for you. And it’s what I’m good at. Some people are good at having stability, going for regular check ups, paying their taxes, or sleeping at night without full on panic attacks.  It takes all kinds, right?

SM: What do you dislike about it?

CH: Please refer to what other people are good at in previous question.

SM: What was the worst show you’ve ever done?

CH: Probably the one where I fell off the stage while wearing a dress into a table holding three margaritas, a pitcher of beer, and a group of grown people who made a face I’ll never forget. They reacted to me the same way I would react to an open-mouthed shark falling on my face.

I had to do the rest of the 2 hour show with bloody knees, smelling of beer, and the lady-hose I was wearing to conceal my “less than a man, more than I’d like” leg hair was so torn up I went bare-legged and fancy-free. I could hear people in the front row whisper “Oh no, the blood is getting caught in her leg hair”. That was a shit night.

SM: Where do you get your inspirations?

CH: I like to stand naked in front of the mirror a lot. It’s usually my milky white skin that does the trick regarding inspiration.

SM: What do you like best: theatre, improv or standup?

CH: Well, Theatre is reaaaallllllly cute, and Improv did the funniest thing last night. Stand Up and I had a one-night stand back in 2003, so… I like them all, but Improv is the one paying my bills right now… .IMPROV! I CHOOSE IMPROV!

SM: What is the funniest thing you have ever seen?

CH: In this order:

See Caitlin this Thursday at the Cobalt! $10 gets you a one-year subscription, the finest comedy in Vancouver, and an all-night dance party.

Sad Com­edy: Valen­tine Edition

The Cobalt (917 Main St)

Thurs­day, Feb­ru­ary 9th, 2012

Doors at 8:00PM, show at 9:00PM

Cover $10 (includes subscription)

RSVP on Face­book

What would make a person want to perform hip hop karaoke?

Fortune Sound Club’s monthly Hip-Hop Karaoke night sells itself as the best time you can have on a Monday night anywhere in Vancouver. DJ Flipout hosts with a mix of soccer-coach positivity and sharp banter, and DJ Seko plays booming instrumentals on a full sound system. The crowd is loud and focused on the performers, and enjoys dancing, waving hands in the air, and yelling. The stage has been blessed with “rappin’ ass rappers” (Flipout’s term for professional rappers) such as Jaykin, Kyprios, and the Rascalz paying tribute to the songs that inspired them to pick up the mic. But it’s equally welcoming to amateurs, shy girls who bust out eerily accurate Li’l Wayne or Nicki Minaj impressions or nerdy dudes transforming themselves into gangsta rap superstars.

Yet there’s still an intimidation factor. Unlike regular karaoke nights, Hip-Hop Karaoke has no tinned canny instrumentals. There’s no video screen showing incongruous men in suits running on a beach at sunset. Most importantly, there are no lyrics with a bouncing ball for performers to read. Performers need to memorize rap songs (which tend to have a lot of words, spoken fast) well enough to spit fire in front of hundreds of people. The crowd is patient with mistakes, but screwing up can still be pretty embarrassing. I asked four regular performers why they loved Hip-Hop Karaoke.

Diana Theodora Christou

SM: How did you first hear about hip hop karaoke?

DTC: I saw a poster on a telephone pole and felt like the sky opened up and my destiny was calling to me!

SM: What was your favorite song that you performed?

DTC: Das EFX – They want EFX. It’s a really fun and tricky song, and I love how they rap.

SM: What about by another performer?

DTC: That’s a hard question, there’s been so many. But there was an Asian girl doing (sings) Whatta Man Whatta Man whatta mighty mighty good man!

SM: How often do you practice a song before going on stage?

DTC: I usually listen to it every day for the two weeks before Hip-Hop Karaoke. I play it over and over again on the way to work.

SM: What do you love about performing here?

DTC: It’s a big release, and it makes me feel good about myself.

SM: Do you do any other live performing?

DTC: No, but even when I was four I loved to dance around and entertain my family. This is a great way to express that side of myself.

Lawrence Lua

SM: What was your favorite song that you performed?

LL: Breathe by Fabulous, because it’s the one I screwed up the least!

SM: How did you get into Hip-Hop Karaoke?

LL: I came here for a few shows and then started to rap. I love rap and I love performing, it’s fucking cool! Before doing it, I wondered how it would be, to go through the stage fright and the whole experience.

SM: How long do you practice for?

LL: A week or so. I usually cram the night before.

SM: What do you love about performing here?

LL: The people. The vibe.

Next Friday: Part 2, interviews with two more veterans and a preview of the Feb 13th show!
For more on Hip-Hop Karaoke, visit their Facebook Page.

okay folks, this is your nana speaking, i will keep it real and honest with my answers to your queeries. please remember to remember that i am old and a transplant of sorts myself here from sarajevo, and may or may not always be able to relate to us all. i will try though, and make shit up if i have to. all i know is love is love is love is love! so here it goes!

My partner and I are experimenting with having an open relationship. So far, it’s been fine because we’ve never run into each other on our respective “dates.” We both want to go to a mutual friend’s birthday party with our dates to see how it feels. Any advice?

1: don’t go to the same party unless you enjoy some very SPECIAL possibilities, and are really REALLY “open” to that…
2: go to the same party, you’ll run into eachother at the same party sooner or later anyway, get it over with and SEE how wide open you really are…
3: have group sex, cognac afterwards, in vintagewarm glassware, and go to sleep

My girlfriend made a comment about me being a bad kisser recently. It’s not the first time it’s happened with a girlfriend. I am starting to feel really self conscious, to the point that I don’t want to kiss her before sticking my hand in her pants. What do I do?

1: unfortunately, this is often a deal breaker when it comes to sexual intimacy.  why don’t you write back and tell us what makes you a bad kisser? are you dry kissing with bad breath, or drooling out of control with your tongue in places it has no business being at? you say this isn’t the first time, hmmmm…. how into these women are you, were you? if you are really into your girlfriend, i would ask her to show you how she wants to be kissed, relax and lock those lips together.
2: try not sticking your hands down her pants until your kisses make her defenseless, at least for a little while…
3: agree to have sex without kissing and see if she misses your bad kisses… good luck!

I’m in love with this person, who is perfect in ever way, but picks her nose and wipes it on the sheets. I’ve put Kleenex by the bed and made playful jokes, but it’s snot making a difference. Now she does it when she thinks I’m not looking. What’s a polite way to get her to stop?

1: well, if your lover is perfect in everyway, except with the snot business, you are not telling us the truth! and why be polite, too late for that, considering it is down right rude to sleep in snot with your loved ones, unless they are babies or ill. so i would pull a dick van dyke and get twin beds side by side with your own night tables. while you are at it, buy yourself some bright yellow egyptian cotton bedsheets and purple satin pillow cases.  she can snot all over her own bedsheets anytime she likes, but not on yours. problem solved, since everything else is perfect, you two are set!
2: withhold sex until she sees the wrongness of her disgusting habit and stops the snotting around,
3: this could be worse than you think, check other places, like under tables, walls and curtains.

Does everyone pee in the shower? It seems like I’m the only person who (a) hasn’t heard of it and (b) thinks it’s disgusting.

1: okay, you are very special if you don’t ever pee in the shower. so, no you are not the only one my dear girl. it is perfectly natural and satisfying, to say the least! if it disgusts your romantic shower partners, don’t tell them you are doing it, or don’t do it when they are in the shower with you. cleanest place to have a nice warm tinkle i say!
2:  i heard from a couple of young men today that peeing on your feet in the shower is a good idea for all sorts of ailments.
3: have a pissing contest and make new friends.

Do you have a question for Nana? Send it to asknana (at) sadmag.ca

Usually we comment on things that make us un-sad, but there’s a fight going on between the Rio and the LCLB that’s making us sad and mad. Fortunately, the Rio’s Corrine Lea is not backing down, which is making us glad. As does rhyming but I digress.

On Thursday, January 26, the Rio was supposed to be celebrating their success in achieving a liquor license, an achievement which was an integral part of continuing as a viable business.  Instead, the event became a fundraiser to offset their losses and fund future resistance to the restrictions out on the Rio due to that very license.

Lea has had to cancel film screenings as venues classified as “movie theatres” cannot serve alcohol. Lea maintains they are a multi-media venue and so are misclassified. She also notes that her license only runs from 6pm to 1am, and she is not insisting that liquor be served at screenings, only that screenings be able to take place. After they screen the “Rocky Horror Picture-less Show” on Friday, January 27th, when the soundtrack will play and the film enacted by a  shadow cast, they don’t have anything scheduled until February 4th. “As far as the blank days go, we’re just going to scramble and try to figure out what to do. We might have an open mic night every night or a karaoke night…If the government were to reverse their decision I could have movies in those slots like that.” She snaps her fingers with the type of gusto required when going up against said government.

Since being told about the caveat on her license, there have been many statements issued – by Lea, by Solicitor General Shirley Bond, and by Liquor Control and Licensing Branch general manager Karen Ayers – but little constructive communication seems to be happening.  Ayers has made many comments in the media about the various reasons the Rio is in this predicament and not, say, Roger’s Arena. Ayers touts public safety and notes the arena’s security as a reason for venue’s such as that being licensed. Lea notes that she was never given the option to increase security as a means to secure the licensing she needs.

My opinion, and the opinion of groups like CAMRA, is that the province and the federal government are maintaining prohibition era statutes. I would add that even the LCLB’s rationalizations seem outdated, not to mention inconsistent. It would better serve public safety to ban alcohol at violent sporting events than at the movies. I’d definitely put my money on not seeing see any post-event riots at the Rio, screenings or otherwise. While Ayers has been answering objections one at a time, there are easy fixes to these, which Lea is more than willing to put into place. For example, worrying about minors having liquor in the dark could be assuaged if the Rio doesn’t serve alcohol during film screenings. Lea notes she simply wants to serve liquor at events, not movies.

Bond has issued a statement, picked up by several outlets, that her office is “aware of the challenges,” are “considering what changes may be appropriate” and they “look forward to having more to say about this in the near future.” While this may signal progress, the lack of specifics are worrisome to Lea. As of Sunday, January 29th, Lea has yet to hear from the Solicitor General’s office or the LCLB on any options she might have going forward. The Rio is consulting with the British Columbia Civil Liberties Association as to whether their civil liberties have been curtailed.

The Rio is scheduled to host films from the Vancouver Island Film Festival, which begins February 10th. This is just one effect the Rio operating without screenings will have, and represents a real deadline for action. The Rio supports a variety of communities beyond film – music, comedy, burlesque, dance and more – by being a unique and accessible venue. It also represents a part of Vancouver history, as the Tyee points out, an architectural and cinematic history that is being demolished.

Thus it’s not surprising that people are raising their voices not just in the street forums (which is what I call coffee shops and facebook comments), but in the press (simply Google “the Rio Theatre Vancouver” for a flood of stories) and among politicians (Jenny Kwan and Heather Deal are both speaking out on the Rio’s behalf). It even transcends political affiliations, with Leo Knight,  “Law and Order” opinion columnist, to agree on an issue with a Vision Councilor “for the first time in living history.”

This issue is hot, not only because the Rio and Lea are so supportive of and beloved by Vancouver’s arts community but because, especially to that same arts community, it represents major issues in Vancouver and BC. It’s a hard place to succeed as a small business, and is full of demolished unique cultural venues, archaic liquor and public safety laws and a general disregard for what access to arts does for a community both socially and economically. The story at the Rio has become a point of reference  the changing of BC liquor distribution, but it’s truly a point of reference for the intersection of arts, business and government.

On a positive note, the Rio fundraiser née celebration was a success. “We had 200 people attend  – it was a beautiful event. Pandora and the Locksmiths made for a really classy evening with a little bit of tease. On a personal level I found it really uplifting to see everyone face to face. It was really great to personally go around and thank people. It was a real good night for people to talk about the issue,” says Lea, sounding hopeful despite her losing thousands of dollars every day her theatre is closed.  MLA’s Jenny Kwan and Shane Simpson were in attendance, as was Leonard Schein, the president of Festival Cinemas.

Along with the return (kind of) of gaming based arts funding, the controversy and support the Rio’s latest battle has drawn may herald change. But to win, Lea needs our support. Here’s how you can help: raise your voice and write to your MLA, the Solicitor General and the LCLB; on January 31 Heather Deal is presenting a motion at City Hall to have the movie ban removed, and you can come and speak for the Rio; and support the Rio financially by attending their amazing upcoming LIVE events. Find the addresses and emails, up to date info, FAQs and next steps on Rio’s Facebook group.

The Rio may not be screening movies right now – but there’s still amazing events coming up. Let’s wrap up this chapter of the ongoing saga with a few events coming up. You can check out full details online including advance tickets, but Lea had a few extra tidbits to share with Sad Mag readers.

Saturday, February 4: Patrick Maliha presents the Legion of Stand-Up Comedians
Tickets: $10 Doors: 7pm Show: 8pm

“This is a really exciting night because Patrick Maliha is a well known comedian about town and always puts on an excellent event. Graham Clark will be a special guest, which is amazing, people love Graham Clark. He’s added something like 23 burlesque dancers last minute, so it’s going to be fabulous.”

Friday, February 10: Tongue N’ Cheek: Sex, Dance and Spoken Word
Tickets: $12 advance $15 door Doors: 8pm Show: 9pm

“We’re very excited about this show because it features my four favourite burlesque dancers in town, [Sweet Soul Burlesque’s Crystal Precious, Lola Frost, Little Miss Risk and Cherry On Top].  This is kind of my baby, this particular show, because I’m combining two of my favourite things, burlesque and spoken word. C.R. Avery, Mike McGee and Jamie DeWolf are three really powerful spoken word artists and we’re getting them to collaborate, it’s not ‘here’s a dance, here’s a poem’, we’re getting them to work together. [Plus] there’s 8 local poets who will be competing in the Dirty Haiku contest. … It’s coming up on Valentine’s Day weekend so it’s a good date night.

Tuesday, February 14: The 2nd Annual Sweet Heart Serenade
Tickets: $10 advance, $14 at the door Doors: 8pm Show: 8:30pm

“Last year we attached it with a movie, and we had planned to show Shakespeare in Love but with the predicament we find ourselves in, we are not going to be allowed show it with a movie. So, now it will just be live music but it will be a special night because we’ve hand picked performers from some really great bands in town. It’s a more stripped down, intimate performance which makes it perfect for a date night. It’s adults over so they can have some wine to enjoy during the evening.”

Other events coming up:

Thursday, February 9: David Choi with Special Guests (General Admission/All Ages Show)
Tickets $20 Doors:8 pm Show: 9pm

Saturday, February 12: The Rio Theatre & NightHeat Present: Chali 2na MC
Doors: 8pm Tickets: $18 + S/C advance

Friday, February 24: Comedy Fest: Marc Maron (WTF) with David Cross and Bob Odenkirk
Show: 7pm Tickets: http://comedyfest.com/show/wtf-marc-maron

Gay in the Suburbs
By Adam Cristobal

This article appears in full in Sad Mag issue 7/8.

Everyone knows a Kurt Hummel story, a heart-felt or humorous story akin to that of Glee’s coiffed countertenor. The suburban adolescent gay male is now cliché, and his tale a quintessential part of high-school chronicles. Such a tale’s tropes have been well established: It is usually told as a tragic portrait of an outcast protagonist, brought to a dramatic climax of homophobic conflict, and peppered with awkward quips about some locker-room misunderstanding between said protagonist and some sultry classmate manifest from hormonally charged pubescent dreams.You know that story, or at least a variant of it.

But this—this is not that story. It is one thing for queer youth to grow up in the suburbs, but it is entirely another thing when LGBT families settle in the suburbs. Downtown Vancouver and San Francisco form two ends of one big West Coast rainbow, but Vancouver’s vibrant LGBT community is virtually nonexistent in our city’s suburbs. Can LGBT families settle outside the downtown core, in areas where the density of queer individuals ebbs with the density of other human beings? Is the rainbow-coloured picket fence possible, and if it is, what are its implications for the LGBT community at large?

Three years ago, Nathan Pachal and Robert Bittner tied the knot in Langley and have lived there ever since. Both husbands are in their late twenties, but neither has lived in Vancouver proper. Nathan works as a broadcast technician; Robert is a Masters candidate at the UBC Department of English. The latter commutes to campus to study queer young-adult literature. “Langley doesn’t really have a distinct LGBT community,” he tells me….

Continue reading in Sad Mag issue 7/8.

Photo: Laura Nguyen.

The nearest beach may only be a few blocks from my seat at Gastown’s Nelson the Seagull, but with mid-January hanging heavy over Vancouver, nothing feels so far away as summer. However, as I start to chat with Jody Glenham—local musician and lead singer of newly minted surf rock combo Pleasure Cruise—our conversation turns away from the dreariness of winter.

Instead, in the hours before Pleasure Cruise’s PuSh Festival Club PuSh performance, which will find the band alongside local institutions like Bend Sinister and CBC Radio 3 personality Lisa Christiansen, we end up discussing (maybe perversely, over hot coffee) the hazy warmth of low-fi guitars, the excitement of new horizons for the still-nascent project, and rediscovering the fun of performance

Pleasure Cruise, which Glenham describes as “the Ramones meets the Ronettes,” came together, rather by chance, in the summer of 2011. “Dustin [Bromley] and Quinn [Omori] were looking for a female singer. At the time, I had an injured hand, so I wasn’t playing. And the way they were looking for a singer was on Twitter. They were actually tweeting back and forth, and I happen to follow both of them.” Glenham stops and jokes: “So I was on the inside track. And I half jokingly tweeted back at them ‘I sing, just saying.’”

Before the night was out, Glenham had a series of “bedroom demos” in her inbox; a collection of sweet, summer pop songs featuring Quinn Omori—Shindig veteran, music journalist, and proprietor of From Blown Speakers—on vocals. From those hypermediated beginnings, the trio (now a foursome with the addition of bassist Kyle Bourcier) began taking steps in the opposite direction, towards a low-fi, sun-drenched aesthetic, reminiscent of contemporary acts like Best Coast and Cults, and for Glenham, the 50s’ pop and girl group revival of the 1990s.

“I think our first band practice was actually on the beach,” Glenham recalls. “I just started joining them during their Third Beach afternoons and talking with them, and that started clicking. So we decided to get into a jam space with no idea what to expect.” This rough-shod happenstance, the kind that only summer afternoons can offer, is immediately apparent on the band’s first EP, Business, or…, which jangles and echoes through tracks like “Summer Fling” and throwback piece “I Really Wanna Know.”

In a city where sun is scarce, Pleasure Cruise has quickly become a bright spot, catching the eager attention of fans and journalists alike. Before they had even played their first show, WestEnder had christened the combo “Vancouver’s newest supergroup” and singled them out as one of five acts to watch for in 2011, alongside 2011 Polaris Prize longlist nominees Yukon Blonde and 2012 Polaris shortlisters, The Pack A.D.

Asked why she thinks Pleasure Cruise’s particular brand of “summer beach music” seems to have connected so quickly with listeners, Glenham offers a fairly simple and extremely convincing answer: “It’s fun! Doing your own solo stuff, you can get caught up in being so serious all the time, and this is just so fun! I think people recognize that and respond to it in a genuine way.”

I have to agree. There’s something about Pleasure Cruise that recalls the do-it-yourself, do-as-you-will punk heritage on which Vancouver sits; that compulsion to make music that just works, and to do it joyfully, alongside friends. And that’s exactly what Pleasure Cruise does—a journalist, a singer-songwriter, and a former punk musician making slap-happy surf rock that audiences love.

The coming months, Glenham says, include a possible vinyl release, some potential festival dates, and sinking “fishing lines” into record label inboxes. But for the most part, the future of Pleasure Cruise seems to be as indulgently casual as its past. In Glenham’s words: “what are you planning? I’m planning on doing whatever the universe hands me.”

You can download Pleasure Cruise’s debut EP Business or… for free on Bandcamp. The band will be playing February 3rd at Lucky Bar in Victoria and February 14th at The Biltmore.