LOON at the Vancouver Fringe FestivalThe moving and funny play Loon tells a universal story, but it’s like nothing you’ve ever seen before. Kate Braidwood plays a lonely man who falls in love with the moon, and her performance is a virtuoso accomplishment of maskwork. With no speaking and without the use of facial expressions, she makes the audience live and die with the dreams and disappointments of a lovelorn hunchbacked janitor. The mask is almost impossibly expressive – its sad wide eyes, a prominent bald head and a mouth locked in a permanent pained grin tell of a lifetime of loneliness. The soundtrack employs expert music choices and a host of silent film and oldtime radio tricks to assist in winning the audience’s sympathy for this isolated and beautiful lunatic.

The janitor has few possessions: an urn containing his mother’s ashes, a transistor radio that plays old ballads, and a telephone that delivers bad news from the matchmaking service he is subscribed to as Bachelor 378. He dances alone in his room, puts on a cape and goggles and dreams of adventures in outer space. In one fantastic set piece, he acts out the last scene of Casablanca with his mop. The dancing is a marvel to watch; nobody wearing such a heavy mask and costume should be able to dance that fluidly. Especially not to mass bhangra hit “Beware of the Boys”, in one moment of hilarious incongruity.

After being stood up by a date, the janitor discovers his one true and abiding love – the moon itself, the other loon of the title. He carries the luminous orb to feed ducks in the park, watch fireworks, and even to bed. But the moon starts to wane, and the script’s metaphor of the changing phases of the moon for the fading of love is both original and utterly heartbreaking. If you loved the wordless storytelling in Pixar films, this is your opportunity to see the same feat done live. You’ll never see the moon in quite the same way again.

Catch Loon at the Fringe Festival, with five more shows from Sept 9-16! Details here.

Visit the Vancouver Fringe Festival website.

The Vancouver Fringe Festival (Sept 6-16) is a fantastic annual showcase of independent theatre, easing the transition out of summer with comedy, drama, astonishing feats of burlesque and remarkably versatile one-man-performers.

This year there are a staggering 754 performances! Amazing! Overwhelming. Where to start? No worries- we will be bringing you reviews and performer Q&As throughout the festival, and to kick off two weeks of great original performance, here are some of the shows we will be lining up for. Look out for reviews of these (and more!) later this week.

Three More Sleepless Nights – Familiar relationships; unfamiliar spaces. A piece about ever changing human relationships, in dialogue with various apartments and houses in Vancouver. An intimate evening for a small audience, actors and audience will enter the performance space for the first time while bringing Churchill’s dynamic one-act play to life.

Fishbowl – Shockingly funny and equally moving,Fishbowl slyly reveals the connections between four wildly different “and outrageously hilarious” characters, all played by Mark Shyzer. Created and premiered at Buddies in Bad Times Theatre to great acclaim (Toronto 2009), then a festival favourite on tour, and Audience Choice Award winner (New York 2010).

Chlamydia dell’Arte: A Sex-Ed Burlesque – You’ve never taken a sex-ed class like this one! Learn about safe sex, STDs, sexual orientation, menstruation, and much, much more through striptease, comedy, songs, dance, and all the parts of a traditional burlesque show.

Peter ‘n Chris Explore Their Bodies – They’ve saved the world. They’ve been murdered in a motel. Now Vancouver Pick of the Fringe comedy duo Peter ‘n Chris are going to explore their bodies. Chris’ Body. Peter ‘n Chris are going inside Chris, in a brand new show from the critically acclaimed, Toronto SketchFest Audience Choice winning comedy duo.

What are you excited to see? Tweet it at us or share on our Facebook Wall!

About Alannah: I am from North Vancouver and went to Emily Carr University for a BFA in Photography. After that I studied Art History at Concordia University in Montreal. My comics ‘New Ways to Fail’ are a fairly new undertaking and so far have been exhibited in a few shows out east. Currently I am shuffling between Toronto and and Vancouver.

See more of Alannah’s comics at her website, New Ways to Fail.

Sad Mag: Where did the idea for What I LOVE about being QUEER come from?

Vivek Shraya: Queer-based or queer-inspired art is often rooted in or weighted by some form of tragedy, as seen/heard in coming out narratives, stories relating to homophobic bullying, gaybashing or HIV/AIDS. These narratives are incredibly important and powerful as they provide healing, visibility, access to equal rights and remind us of our history, but as an artist who has explored similar themes and told similar stories, I found myself hungering for the other side of the spectrum, stories that celebrate who we are.

I decided that one way to approach this gap was to directly pose the question: “What do you LOVE about being QUEER?” To answer this question is essentially to think of queerness queerly, as for many queers, we first learn how to answer the opposite.

My other inspiration came from the work I do at George Brown College, where queer youth often disclose how much they are struggling with this part of their identity. I wanted to create something that didn’t ask them to wait for ten years to pass for things to get better, but rather, provided some reasons, here and now, why being queer is special and worth celebrating.

SM: Where did you find your subjects?

VS: In honesty, the first people I asked were my friends as they were the ones whose answers I was initially most interested in hearing. The other participants are activists, artists, educators and people who inspire me, mostly living in Ontario.

SM: What do you hope an audience goes away talking about after seeing your movie?

VS: The hope is that through this short film, viewers will engage in the often overlooked or undermined, positive aspects of being queer through a spectrum of queer voices and bodies. Positive representation and stories about queers are vital to a global community where “tolerance” and “acceptance” are still held as ideals versus genuine understanding and celebration of diversity. It is also my hope that queers struggling with this part of their identity will connect with an answer (or many!) that allows them to look at this complicated part of who they are a little differently.

SM: Is this your first film?

VS: This is my third short film. My first film explores racism in the gay community and is called Seeking Single White Male and the second film, Ache In My Name, is explores the challenges of immigrant identity.

SM: Is this your first film in the Queer Film Fest?

VS: No, I was very fortunate to have Seeking Single White Male screened at the festival last year. Amber Dawn, the festival’s Director of Programming, has been incredibly supportive of my work.

SM: How important is it for platforms like the Queer Film Fest for filmmakers such as yourself?

VS: Platforms such as the Vancouver Queer Film Festival are incredibly important because not only do they allow the opportunity for artists to have their work exposed to a broader audience, there is nothing quite like watching your film with a theatre full of people who end up providing direct feedback to your work via their laughter or oohs! or silence etc. So much consumption of video/film happens via the internet and that immediate connection to the audience is lost.

Also being part of festivals is a wonderful opportunity to meet other artists, engage with other art and be inspired! Being at the Vancouver Queer Film Festival last year actually provided the inspiration for What I LOVE about being QUEER and I began filming shortly after, so this screening feels like lovely completion of the circle.

SM: What’s next for Vivek?

VS: Aside from planning more screenings of What I LOVE about being QUEER, my main focus right now has been working on my second book.

For more info, RSVP on Facebook!

Moonshine is not a type of liquor, it’s a catch-all term for any spirit that has been made illegally or by using a backyard still. Whiskey, rum, brandy, vodka are all commonly referred to as moonshine if they meet the basic requirement that they are made by some guy in his backyard. People think of moonshine and 90% alcohol comes to mind (also its terrible taste). It’s true, what comes out of our still is that strong, but we pay close attention to taste and fermentation. We water it down and charcoal filter it. Finally, we age with fresh fruit and toasted oak chips to give it flavour. It doesn’t taste like a commercial product. It tastes more personal and not as neatly categorized as liquor store aisles.

The process of making liquor is a little like alchemy. The whole thing is a steam punk’s wet dream. Huge copper containers with pipe and hose jetting out every which way, steam flowing through the pipes and, somehow, dripping out pure alcohol. In actuality, it’s science 101. The entire process is based simply around the idea that alcohol and water have different boiling temperatures. We make a wine, heat it up enough to turn the alcohol into vapors and then turn the vapors back into liquid. That’s it, the rest is details.

Distilling is slow. I get up at six in the morning to turn everything on and I finish around nine in the evening. The day set aside for distilling is a sort of forced leisure, where all I can do is sit around and slowly watch alcohol accumulate drip by drip. The whole process could be an art history diagram to explain minimalism; we’re getting down to the essence of something, stripping away all the unnecessary to get to the pure form. It exists in accordance with my own life in that I need a device like this to allow leisure. I wouldn’t set aside an entire day to slow down if it was not for distilling.

We always intended this as an artwork before we started. We are not interested in the artisan craft of the distilling process, although, we have been doing it for a year and after drinking many of our “artworks” we have become significantly more concerned with the craft. Our upcoming exhibition “The Secrets of Building an Alcohol Producing Still” will bring our still to a local gallery and to ignite this project in a public and critical setting.

The Everything Co. is a collaborative art project started in Montreal. We are interested in the dichotomy of work and leisure; we see all art as a playful process of work. For now, our identities must remain anonymous because the nature of our current artwork is illegal.

The Everything Co. will be holding 12 speakeasies throughout the city at various locations in coming months. Please email everythingcothe@gmail.com to get on the mailing list and be informed of these upcoming events!

SAD MAG// LOCAL MUSICS //AUGUST 2012

Not going to lie, music videos are my addiction. Although I don’t always watch the videos in their entirety (if they’re bad), I watch loads of music videos daily and have since my Much Music days. As Sook-Yin Lee has been my favourite host of all time, I had teenage excitement when the Wedge came on and most likely a denial crush. MTV/Much Music quality programming times are sadly over therefore I find myself perusing music blogs, aggregators and vimeo habitually. That being said, local music videos aren’t always easy to track down however this month I selected six music videos that celebrate the lovely August. With pride just passing by and the weather coming full circle, these songs reflect highway driving, pensive porch evenings, getting ready for the Fall and full on slap in the face partying. Please enjoy the songs and sights of these local acts and try to catch them live!

Top Less Gay Love Techno Party – Robin

Whenever I go see TLGLTP I end up finding glitter all over my sheets, the person I slept with post show (sexually transmitted sparkles) and on my scalp for months at a time. The band creates a party that I want to take part in and this video really gives me FOMO for whatever is going on tonight. I never really thought their recorded music would be as fun as their live show–and to be honest it isn’t– but this song is still really catchy and adventurous. Pre-party song for sure.

Hot Panda – Future Markets

This is a hard-working band and when you see them live you can tell by how tight they are. This video reminds me of a great movie opener and plays out well, however the lead singer’s mouth creeps me out at times. This is definitely an “enter onto the highway in your parents car” song, and a grower.

Chains of Love – He’s Leaving with Me

If I were to pick some of my favourite female leads in Vancouver, Chains of Love has one of them. This video is creepy and dark but really narrates the song’s hazy sound. The last scene really grossed me out and I’ll most likely have nightmares about it.

Mode Moderne – Real Goths

Filmed in Strathcona, this video is cute with some teen romance. Awkward boy goes goth and meets a total babe…the reality of being a real goth I guess. The song very much a classic 80’s influenced track is great for pensive moments out on the deck as the sun comes down.

Teen Daze- Treten

Who doesn’t love a little whale watching and rocket ship launching? Teen Daze creates a well crafted atmospheric song with a video that embodies the natural wonders of the ocean, space and darkness.

Hannah Georgas – Enemies

Beautifully crafted and executed live at CBC Music studios, this number shines. As Hannah Georgas recently signed to Dine Alone Records her new track demonstrates how her sound has evolved from previous releases. This video can definitely go on repeat while sitting still after a long day.

If you are a local band and would like to send me your new(er) video or album link, send me an email!

CocoaNymph is a handmade artisan chocolatier. Their products are made with local ingredients where possible, all handmade. Founder and master chocolatier Rachel Sawatzky started CocoaNymph with a goal of creating gorgeous chocolate products in a positive work environment. CocoaNymph supports SadMag with advertising and by carrying our issue in their two locations – if you want to support SadMag and be profiled, contact advertising@sadmag.ca!

Sad Mag: What’s the CocoaNymph signature chocolate?

Rachel Sawatzky: Our signature product is the SeaNymph bar – a 64% dark chocolate bar with sea salt and English toffee – and I recommend this to everyone! It will be the best six bucks you ever spent. (Editor’s note: CocaNymph brought samples to our launch and art show Vanimaux II at Gam Gallery – see the show until August 16th! – and they. Were. Delicious.)

SM: Do you have a personal favourite?

RS: My favourite changes all of the time. At the moment it is our lemon truffle – a whipped white chocolate and lemon ganache in a delicate dark chocolate shell.

SM: Summer is in full swing! What special tastes does summer bring?

RS: We just started our summer farmers market series. I go to the farmers market and pick up something fresh and inspiring and make a truffle based on that. The first one of the year is rhubarb champagne, but the feature will change with the summer, depending on what is fresh and gorgeous at the market.

SM: Aside from your chocolate, what other delicacies can people pick up from CocoaNymph?

RS: I definitely recommend picking up a package of our hand crafted marshmallows. Our marshmallows come in a bunch of flavours including classics like vanilla and chocolate, or a little crazier, raspberry, orange or Bailey’s. If you grab some marshmallows along with a SeaNymph bar, you are 2/3 of the way to the best s’mores of your life!

SM: Where can people find you?

RS: Our original store is at 3739 W 10th (at Alma) and our new location is at the corner of 7th and Ontario. We are so excited about opening our new 1200 square foot kitchen – it’s 10 times bigger than our old one! It’s time for us to play more and make new things – look for brand new products coming to of our kitchen starting with Thanksgiving! You can also find CocoaNymph online!

It ain’t easy bein’ a green queen, honey. Some go through new outfits like tubes of concealer, but these drag artists incorporate more than just glitter and fake genitals into their performances. These two kings and two queens are glamorous and eco-conscious, modeling outfits they’ve sourced from found materials instead of buying them brand new. Yes, you can work it without wasting it.

Veronica Vamp

“Being thrifty is a great way to be an eco-queen: re-using outfits, re-vamping them and re-purposing unexpected items is a great way to stay green. Be original and surprising.”
“I look for materials at thrift stores, scrap bins and sales. I am flat broke, but look fucking gorgeous!

“It’s all about attitude. ‘Cause the truth is, most of my outfits are held together with duct tape, glitter, rainbows, and unicorn dust that I pick up at my local 7-11. Fashion is about having fun.”

Lou Souls
“It’s a camping look.”

“My favourite colour is blue, so I like Blue Buck. To make the hat you have to get a 24-pack of canned beer, which Blue Buck unfortunately doesn’t serve, so red racer is a really good choice.”

“There’s no need to go for the higher-end beers to make an outfit. Making the lower-end beer look expensive is basically what Lou does. It’s Keith Urban meets Jon Bon Jovi.”

Photos by Christine McAvoy.

See the full spread in Sad Mag No. 10 VANIMAUX. On stands now!

About Alannah: I am from North Vancouver and went to Emily Carr University for a BFA in Photography. After that I studied Art History at Concordia University in Montreal. My comics ‘New Ways to Fail’ are a fairly new undertaking and so far have been exhibited in a few shows out east. Currently I am shuffling between Toronto and and Vancouver.

See more of Alannah’s comics at her website, New Ways to Fail.

A new performance inspired by slides of a family trip to Banff National Park. Blending sonic reverberations with performance installation, ‘remarkable concussions’ releases memories of the snow to be sensed, sounded, and mixed with imaginative wanderings, created by Mirae Rosner and prOphecy sun.

This show is a part of of Mirae Rosner’s Parks Canada series – an ongoing set of performance and video investigations into the relationships between bodies and landscapes. Previous developments have occurred in collaboration with dancer Holly Holt and media artist Jesse Scott, including I am a star: universal landscape detection methodology, a video performance that aims to mimic scientific instruments with the sensing body.

Remarkable Concussions and Other Memories of the Snow
7:00PM
August 4th, 2012 
Hammock Residency (1923 Graveley)
RSVP on Facebook

Hammock Residency is an emergent based arts residency program, where artists spend time with their ideas, and if they want to, present them.