Svensk's 2013 Eco Fashion Week Collection

On April 21, Sad Mag writ­ers Jes­sica Rus­sell and Farah Tozy went on assign­ment for Van­cou­verEco-Fashion Week with the intent of dis­cov­er­ing how fash­ionthat most of ephemeral and waste­ful of pur­suitsjus­ti­fies its involve­ment in the eco-friendly scene. How do lux­ury and con­sumerism co-exist with fru­gal­ity and restraint? Over the fol­low­ing days, Jess and Farah dis­cov­ered quite a lot that is new (most of it vin­tage!) in fash­ion and the green move­ment. Part 3 of 3. {Read their first dis­patch here and their second dispatch here}

Interviewing Value Village’s Director of North American supply chain, Anny LeClerc and Director of Marketing, Sara Gaugl, Jess and Farah gather insight into the business of fashion and thrift.

 

ECO-FASHION ECONOMICS //Eco-Fashion Week // P.3

“One man’s trash, that’s another man’s come-up!”

–Macklemore, ‘Thrift Shop’

Reporting from Blenz on Granville Street, Jess Russell and Farah Tozy here! Today is the first day for the Eco-fashion week runway shows and our stomachs are swarming with butterflies! Arriving an hour early to rehearse our interview questions (and because we are punctuality superstars), we sip on our iced coffees. Nerves are scattered everywhere as we scan the coffee shop hoping to spot our interviewees. At exactly ten in the morning, two women appear with big smiles on their faces: Value Village’s Director of North American supply chain, Anny LeClerc and Director of marketing, Sara Gaugl. All of the butterflies go away since these women are just as excited as us to start the interview.

Where does Value Village stand in the fashion industry?
Sara Gaugl: We [at Value Village] are part of the fashion industry. We just have a different take on how we get our merchandise. Traditional retailers have to be current with seasonal trends, and as consumers, people want what’s new, what’s fresh, what’s on trend. The great thing about our store is you can experiment with new trends.

[All our stock is] second-hand, so we’re not creating new merchandise, [Value Village is] trying to keep product out of waste streams. There’s nothing wrong with purchasing new product. It’s just that for us, when people get tired of new clothes, or if it doesn’t fit, you want a new trend. Our environment is a great place for that. We know that there’s gonna be a front end of the stream, we just happen to be at the end.

We [at Value Village] source our merchandise from non-profit partners. The goods that are donated at our stores are from local consumers, or we purchase our merchandise from local nonprofit. Then local consumers buy our merchandise, so it’s really a great cycle to stay local.

Anny LeClerc: We don’t try to influence seasonal trends, we encourage shoppers to look for treasures and find vintage pieces. Be creative. Add a fresh spin to a current look. Add a vintage piece to a new piece, we have more than a hundred thousand items in our stores, you can really be creative, and that’s all that we’re about.

Do you think Value Village will ever go online?
AL: [Value Village is] all about the experience. The internet takes away from that. [In store] you can buy bed sheets, linens, or tablecloths and be creative. You can’t do that if you just see one item online. [Furthermore] you can walk around easily with our wide aisles and find what you’re looking for.

SG: In the past 60 years, [Value Village has] always been a local community based organization. I don’t see us changing that. We’re very value and selection focused. We put ten thousand new items a day. Three weeks is the maximum we keep merchandise on the floor. If a consumer doesn’t buy it during the first ten days, we relook at that item and say, why isn’t it selling? Did we price it correctly? Did we give it best chance to sell? After three weeks, we responsibly recycle it. We try to keep pushing out as much new merchandise as possible.

Kim Cathers's line Kdon for VEFW 2013

How did you first hear about Kim Cathers?
AL: It’s our third season of EFW and second season with Kim Cathers in collaboration with Value Village. Last season [Cathers] did 68lbs of textiles; anything that she found in the store. She made a dress with a lace tablecloth and some silk bed sheets. It was awesome! This year it’s a whole women’s collection with men’s suits and knits. It’ll be interesting. She’s very creative [and] talented.

SG: [Cathers] wanted to make it a bit of a challenge. Last season, she had any fabric or textiles that she saw in the store. She thought, I want to up the ante, and look at men’s suits. I want to inspire not only women, but have men think about their great quality clothes, and how to repurpose them. What [Cathers] is able to do is amazing; we hope that she inspires many designers to repurpose fabrics.

Do you think thrifting is becoming a fad?
SG: I don’t think it’s a fad. I think it’s becoming mainstream. [Value Village has] proudly been in business for 60 years. We open more than 20 stores a year and we don’t see that slowing down. Especially with Macklemore’s hit song! [Macklemore] actually filmed at one of our stores and our shoppers were in the video! That was fun, and it really brought more awareness.

I think people [are becoming] more comfortable purchasing second-hand goods. For me, it was a vintage coach purse. Similar to one my grandmother used to wear. We always love it when we hear shoppers that say, where’d you get it? Value village, 5.99!

[In addition to that] our partnership with EFW has been so tremendous because Myriam Laroche and the team have taken the lead on educating. It’s really all about consumer education. If you buy ten things a month, try to buy two of those things used. Just making that little step is big.

AL: Or if you buy something, donate something!

Jess and I [Farah] were shocked to learn that 68 lbs is on average how much people throw away each year, what is Value Village doing in attempt to change that number?
AL: It’s a lot of textiles. Here in Vancouver, [Value Village] has three non-profits: Diabetes Association, Big Brothers and Big Sisters of Vancouver and Developmental Disabilities Association. We work with over a hundred and twenty partners across North America. Every item donated to a non-profit is paid for. They’re paid for [by Value Village] if it makes it on the sales floor or not. We have long term relationships with our partners, and always look for new nonprofits to bring into our cycle. You’re helping the charities and the environment. And honestly, we often get items that are just dry cleaned, or still have the price tags.

SG: Sometimes an entry point for an individual may not be clothing; it may be records, or crystals [that are] wonderful quality, barely used. Each garbage bag is on average 20lbs… Just make a conscious choice and get it out of the landfills. That’s why we thank you [Sad Mag] for bringing awareness.

We are all one entity. And we always want to have our nonprofits, so that everyone’s benefiting. We have the retail end of the business; they have the collection of the goods. When you add those two elements up, it’s a great model, and it’s always been our model. Things that you don’t need, you’re turning into revenue for nonprofits.

***

VALUE VILLAGE: TIPS FOR SUCCESSFUL THRIFTING:
1. GET A CLUB CARD. This is the best way to get a bang for your buck. Even Jasmine Zhu, Thrift Chic Challenge designer, used her Club card to receive 30% off her purchases for her collection! It allowed her to create three piece ensembles.

2. CHECK ALL SIZES. Styles change, and so does sizing. What used to be a eight in 1950 could be a size two by today’s standards. Always keep an open mind.

3. GET INSPIRED. It’s all about what your interpretation of fashion is. Jasmine Zhu’s collection featured necklaces on her head. Create your own style by visiting every section at your local Value Village. Yes, even the lingerie section. You never know what diamonds in the rough you’ll find.

4. DONATE. Whenever you’ve collected enough pennies for your next shopping adventure, make sure to bring along some old clothing that you have no use for. You’ll be rewarded for your generosity with a coupon. And let’s be honest, who doesn’t love coupons?

Sunday comics by Alannah Lee Clamp!

North Vancouver born, Alannah Lee Clamp holds a BFA in Photography from Emily Carr University. Her comics ‘New Ways to Fail’ are a fairly new undertaking and so far have been exhibited in a few shows out East. Currently, Alannah is shuffling between Toronto and and Vancouver, but she likes it here. For reals. 

where are all the vancouver fans?

Canadian filmmakers are competing for a one million dollar budget and distribution at Cineplex Theatres. It’s a competition. Votes have been cast and teams have been ousted, and only the Top 10 remain. That’s the CineCoup Film Accelerator production model. Incroyable, non?

 

Out of the Top 10 remaining teams, six are from Vancouver, eclipsing everyone else in the country. The shocking thing, however, is that even though Vancouver is representing in terms of talented filmmaking, the fan support appears limited.  And the stakes are high: the top fan– that is, the fan who uses social media to promote their favourite Top 10 contenders– gets to go to the Top 5 event at the Banff World Media Festival. They get an advisory seat on the final selection jury. They, in other words, get the power to help award one team a cool million.

Where do you think the most active CineCoup fans hail from? The answer is not Vancouver. On the leader board at this time, Monday night, the top three fans are from Toronto, Edmonton and Regina. Which is not to say that they aren’t  helping to support the awesomeness of the Vancouver contenders– Grade Nine, The Mill and the Mountain, Scam, Alien Abduction, The Fall and Bad–but seriously: where are the Vancouver fans? The Top Ten Leader Board is a wasteland.

It’s not too late! Voting for the Top 5 begins May 30th and ends June 2nd. Together, Vancouver fans can make a difference in this competition. All you have to do is sign up and watch the trailers (there are only ten left! Easy peasy! Plus, they are super entertaining) and you can earn enough votes to help keep Vancouver films in the Top 5.

These teams have worked extremely hard. Last month, prior to the Top 10 reveal, Sad Mag interviewed the incredible Sean Horlor, who is one third of the trio behind The Mill and the Mountain. “We’ve still got a long way to go!” says Horlor, “So far, CineCoup has given us a space to be shiny and showcase our knowledge as filmmakers and entrepreneurs. Now it’s time for us to find the financing and connections to get our films made.”

Jay Rathore

Jay Rathore, of Grade Nine, recalls “Honestly…I don’t think I really grasped the weight of what I was getting myself into when I first signed up. I knew I was in for a lot of work, but the reality of grinding out the weekly mission video’s, with very little money, and while juggling my regular life, is brutal. Especially considering I’m the kind of person who only really operates at full throttle when it comes to creating content.”

Nevertheless, Rathore says, “as tough as this process was, and continues to be, it has been such an empowering experience. The pressure of the extremely small production time for the weekly missions has forced our team to be resourceful and decisive. Relying on our wits, creativity and production savvy we continue to produce content we are proud of. We have tested our selves on so many levels, in a way that we would have never done if it wasn’t for this accelerator. As Cinecoup winds down I find myself feeling physically exhausted, but mentally and creatively, more charged than I have ever been in my life. What ever happens with Cinecoup, I know now, more than ever, that I will make movies.”

Vancouver! Cast your votes!

If you missed our New Wave/Electro-Pop party last Saturday, first of all, big mistake, HUGE! Secondly, don’t fret too much: you can still check out all the awesome photos from our Disposable Camera Project at the Gam Gallery until June 1st & you can drown your sorrows/dance the pain away with this mix of music from that night.

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Listen to Pam’s MAD MAD WORLD mix!

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photo c/o Bryce Evans
photo c/o Lauren Zbarsky
photo c/o Bryce Evans

***

A maven of music, a food snob and a stick­ler when it comes to good design, those of us who know Pam regard her as a pas­sion­ate per­son for all things cre­ative. Pam received her Bach­e­lor of Fine Arts from Emily Carr Uni­ver­sity of Art& Design in 2006 and her diploma with hon­ours in Illus­tra­tion and Design from Capi­lano University’s IDEA Program.

When Pam isn’t doing her design magic for Sad Mag, she enjoys being a soprano diva in the Kings­gate cho­rus, mak­ing elab­o­rate meals and then eat­ing them, and mak­ing daily playlists for your lis­ten­ing pleasure.

Sad Mag loves the team behind the new Chinatown Night Market  and is excited to announce that the market’s main events programming begins on June 1st!  

For the love of Chinatown, come to the Night Market! 

 

“Now that the weather is warming up, it’s hard not to get excited about the night market and to see everything we’ve been working on become a reality,” said Tannis Ling, managing director of behind the new vision for the Night Market. “The buzz has grown quickly and the response from everyone has been extremely positive. People are looking forward to the changes but also their returning favourites so there is literally something for everyone.”

To kick off the new program, ping pong enthusiasts–novice and expert alike–are invited down to take part in the inaugural Chinatown Night Market Ping Pong Club. Some highlights to catch in the weeks following include Rain City Chronicles; Hip Hop Karaoke; The Chinatown Mahjong Social; Night Vision: Projection Photo Show including works by Fred Herzog; a Dumpling Festival; Weekend Leisure Karaoke; Chinatown Outdoor Cinema; Sonic Boom! The Street Fighter II Tournament.

There’s so much to see and do (and eat!) including some of the best outdoor entertainment and shopping in the city as well as a weekly on-site food truck gathering organized by the Vancouver Street Food Society and will include favourites like Vij’s Railway, Roaming Dragon, Le Tigre, Tacofino, and Mogu.

“This summer is unlike any other in the history of the Chinatown Night Market,” said program director, Ken Tsui. “The team and I are proud to be collaborating with organizations in the neighborhood–places like The Vancouver Public Library, The Carnegie Community Center, Girls Rock Camp, Vancouver Moving Theater and Project Limelight–in creating culturally unique entertainment on the market stage.”

kim cathers

On April 21, Sad Mag writ­ers Jes­sica Rus­sell and Farah Tozy went on assign­ment for Van­cou­verEco-Fashion Week with the intent of dis­cov­er­ing how fash­ionthat most of ephemeral and waste­ful of pur­suitsjus­ti­fies its involve­ment in the eco-friendly scene. How do lux­ury and con­sumerism co-exist with fru­gal­ity and restraint? Over the fol­low­ing days, Jess and Farah dis­cov­ered quite a lot that is new (most of it vin­tage!) in fash­ion and the green move­ment. Part 2 of 3. {Read their first dispatch here.}

After an unbelievable runway show, Jess and Farah caught up with Vancouver eco-designer Kim Cathers. Cathers is a designer and vintage shop owner, a finalist on Project Runway and, excitingly, an advocate for environmentally friendly fashion. In the showrooms, Cathers chatted about her Fall/Winter collection, kdon, which is her second 68 pound challenge sponsored by Value Village. The 68lb challenge partnered up with Value Village to push Cathers to take risks beyond her comfort zone and make thirty pieces for a collection out of second-hand clothing.

 

KIM CATHERS and 68lbs OF CHIC BRILLIANCE // Eco-Fashion Week // P.2

Jess and Farah here! It is hard to sit still after Kim Cathers’ incredible show. We just watched as Cathers debuted one stunning look after another. Our favorite pieces included a shirt made of men’s blazers, a belted dress made entirely out of pants (the back pockets intentionally visible) and a collaged skirt made of the linings of men’s suits.

Cathers is fearless with her designs and on the runway, and her upbeat personality shone through when she danced down the runway to Disturbia. She was thrilled with how the show unfolded, especially how the balloons looked in the finale, and was eager to let us in on some of her guilty pleasures, unforgettable moments and insight on how we can ALL be more eco-friendly.

KDON, Cathers' collection for EFW 2013 and the 68lb challenge

Jess + Farah: We were surprised to discover that sixty-eight pounds is the amount of clothing each person throws away every year, do you think that a project like The 68lb Challenge will inspire others to be more eco-friendly?

Kim Cathers: I think that the stylists that showed before me [the Thrift Chic Challenge] show what you can do on your own. You can find pieces and put them together to make beautiful outfits without having any sewing skills. I think what I’m doing is showing that if you want to take it one step further…you can. A lot of the stuff I made was really simple, it may have looked really complicated but it wasn’t. I would cut one thing and put an elastic on it. A lot of it was deconstructed and made couture style. So I do the whole range of you could do that on your own or you could buy it from me. But I am hoping that by showing these kinds of styles it encourages people to see the different possibilities in what is discarded.

J+F: What was your budget for this project?

KC: Value Village allowed me this amazing privilege. I got to go during morning maintenance, which is when they take everything off the racks that has been there for three weeks, and I was able to look through the clothes and get stuff for free. The challenge was that not everything I wanted was being discarded that day. So they gave me five hundred dollars to supplement the collection. I spent most of the money on shoes and belts and some suits that I really loved that weren’t being thrown away any time soon. But for the most part it was all free. And when it gets taken off the rack it is literally going to be discarded, sent away, and never used again. So me and Myriam [founder of Eco-fashion week] have gone in the mornings at 3am to morning maintenance and it’s so fun and nobody gets to do that! It’s a huge privilege for me to be able to work with them. Value Village gave me free reign so I decided to put the challenge on myself this year to only use sweaters and men’s suits. I wanted to showcase all the things that could be made from a very small amount of material.

J+F: We loved your runway walk and we read that Disturbia is your favourite song. What is it about this song that you love so much?

KC: I will tell you a little secret.  This collection was built with hundreds of hours of Disturbia on repeat. I found that my most productive time was between 12am and 5am, and I would put on my headphones and play it on repeat for five hours. And I figured out why it worked for me. It’s because I love the song and I know it off by heart and so my mind was able to not think about the music but to feel happy while it was playing and concentrate on creativity and sewing. I found that when I would try to listen to different mixes or a song came on that I didn’t know the beat would mess me up. But I just know that the song is my go-to song. So it was totally fitting that the finale song was Disturbia.

looks from kdon

J+F: How did your experience on Project Runway prepare you for this?

KC: I think that working in a time crunch with limited materials set the precedent for being able to produce something creative and that was my vision. The pressure on that show was crazy and here no one is after me every day with deadlines. But I know it’s there. And I don’t want to be the guy that shows up to the runway with no clothes or everything is shitty, so I put the pressure on myself and I was able to do that because of having that experience before.

J+F: What was the most memorable article of clothing that you found while looking through the clothing at Value Village and what is your favourite piece that you found?

KC: That is a HARD question. I’ve been shopping at Value Village since I was fifteen so I have found a whole host of things. Last season I found a beautiful peach coloured crinoline and I have a costume trunk at home full of tutus, sparkly things and masks and so I always collect things for that. So finding the crinoline for that was amazing. I am a huge thriftier, I love thrift shopping. I found these leather leggings, and these shoes both from value village. I didn’t touch them at all I didn’t do anything to them, no sewing. I found them when I was looking for the show and then I was like nope… I’m going to keep them. And all the shoes in the show were from Value Village as well, the boots, heels, everything. And everything I found was from the Value Village on Victoria and [the one on] 48th and Hastings. Last season when I did the show shoes were kind of an issue, it was a spring summer collection and I’m really fussy about shoes, so finding strappy summer shoes was tough. But this season I found all of them, it was awesome!

J+F: In the words of Macklemore: can someone step into a thrift shop with $20 and find an entire outfit?

KC: You can. You can get a whole outfit for $20. If you have a certain aesthetic you are trying to achieve and you have very specific guidelines of what you want to buy maybe not. Maybe the pants you want are $15 and the jackets is $20. But you can get a cool outfit for $20 that you would like. But if you are going to be all fashionista and diva about it maybe not, you might have to spend $50. But still you’re saving money regardless.

kdon by Kim Cathers

{all images c/o Jessica Russell and Farah Tozy}

This spring, Sad Mag mailed disposable cameras to various Canadian electro-pop bands so we could see what they see and wander where they wander. Maya Postepski, drummer of Austra and one half of goth duo TRST, was one of the lucky participants in Sad Mag’s Disposable Camera Project.

Get a sneak peek–before Saturday’s  Mad Mad World Party–of the various objects, subjects and locales on Maya’s radar, and read her thoughts on music, feminism and feeling like a rock star.

Maya Postepski

 

ARIEL FOURNIER: Maya, you toured with Vancouver artist and musician Grimes, who holds strong opinions about stereotypes in music.  What did you think about Grimes’ open letter about sexism in the music industry? Did you identify with any of her points in particular?

MAYA POSTEPSKI: Touring with Grimes was awesome, I think what she’s doing is relevant and interesting. Her open letter was brave and refreshing. So many female artists or public figures are afraid to even say they’re Feminists—I found her letter very intelligent and compassionate, and powerful. I liked how she specifically explained how being a feminist does not make one a ‘man hater’ and how she went into details about her family, her father and brothers. Being a feminist does not make one a man hater. I am in line with that and I think the word Feminist has way too many negative connotations, which is a such a shame. Being a feminist, in my mind, means I’m looking for women and men to gain equality

AF: What was it that grabbed you about The Organ’s music before you went on tour with them?

MP: I liked the sound, the aesthetic, [and] the nostalgia in Katie’s performance of the vocals. I loved how sad and romantic the songs were. I also loved how greatly they’re crafted—the pop structures in each track are impressive and sophisticated. Each song is barely over three minutes long and hits you where it hurts. Wicked songwriting and awesome musicianship.

AF: How influential was The Organ for you?

MP: They took me on my first real tour. That’s a huge deal—I felt like a real rock star, like my dreams came true, like they saved me from all the horrible thoughts I had of failure as an artist. I felt like I was finally real, like I mattered, and that was very empowering. As a fan I was also very inspired because I finally found a band that I looked up toward, that I could relate to on some distant level, and that I believed was writing music for people like me: young, gay, and confused.

AF: Maya, we talked about how Vancouver used to be less associated with an innovative music scene in your mind. Did Vancouver seem like a more interesting place to you when you were a teenager or when you joined up with The Organ’s tour? Do you feel now that that has changed?

MP: I don’t know Vancouver intimately enough to comment that deeply but I think it’s been a city that people in Canada consider to be kind of sophisticated or fancy, bourgeoisie. I guess it’s quite expensive and getting really developed with condos and the nouveau riche, as is Toronto. With money comes innovation, so there you go. I don’t think any of that affects the art scene though. In fact, I think it draws artists away because artists are generally not wealthy so they leave and go to cheaper cities like Berlin or Montreal. I might do that soon as well, heh.

***

More photos from the Disposable Camera Project will be on display at The Gam Gallery on May 18th. Come hang out with us at the Mad Mad World Party and peruse photographs by HUMANS (Robbie Slade), MODE MODERNE, AUSTRA and CITY OF GLASS; Lauren Zbarsky, Alex Waber, Brandon Gaukel and Matty Jeronimo.

{cover photo of Maya c/o Hannah Marshall}

“Sad Mag’s Disposable Camera Project is like a behind the scenes from the folks who are in the scenes you wanna get behind.” –Katie Stewart, Sad Mag’s Creative Director.

photo c/o Tomasz Wagner

Vancouver Notables is the ongoing interview series where “No Fun City” shows off. More like burlesque than a talent show, Vancouver Notables wants you doing what you do best, but with sequins on your nipples. Tell us who you are, what you’re doing that’s of note and why, oh why, are you rocking that boat?

***

Sad Mag’s newest treasure, photographer Rommy Ghaly, is a New York born, local guy, who moved to Vancouver from Berlin. He takes photos of people on the streets, in the bars and often times when they’re unaware. He’s contributed to Scout Magazine, ION Magazine, and Discorder Magazine and hopes to create a bit more awareness of the Vancouver art and music scenes through his photography.

Rommy shot the gorgeous Cinema piece for our next issue, Mad Mad World. He also interviewed photographers  Michael de Courcy and Ian Ruhter –and turned the camera on them for a change. Amidst all that, Sad Mag managed to corner Rommy and ask him about his own photographic endeavors, his entrée to the Vancouver art scene, and what it means to seek community.

***

Who are you?
I’m Rommy. I was born and raised in NY, left in 1996, and have spent my time living all over North America and Europe. I work in the video game industry and pursue photography on the side.

What is your artistic background and how did you become interested in photography specifically?

I’ve never studied art nor photography. I picked up a 35mm camera (Nikon FM2) in November 2011. Since then, I’ve amassed a collection of old film cameras (I have sixteen by my last count) and have spent all my free time tackling film photography obsessively over the past year and a half. My style is documentary, capturing street candids, the Vancouver night scene, and the rapidly-changing character of the city as it grows beyond its adolescence.

photo c/o Katie Stewart
You’ve recently moved to Vancity. What prompted the pilgrimage?
I’d been living in Berlin after losing my job and was recruited by a company to come work in Vancouver (my day job is in the video game industry).

How long have you been here now?
I’ve been in Vancouver since January 1st, 2011 (just over two years).

What was it like breaking into the art scene here?

I’m just getting my feet wet. I have a tough time considering myself an artist, but I’d like to think I’m actively involved in trying to capture the art community with my photography. Doing that has really helped me to meet creative people in the scene here, so it’s going well, I suppose. But it’s not easy. People have their friends and their peers. It’s a bit closed.

How did you get involved with Sad Mag and what are you contributing to the next issue?
I pursued Katie Stewart following the last issue. It was a beautiful bit of work. Sad Mag is one of Vancouver’s gems in this grassroots arts scene. It has deep connections with the artists and goes way further into try to understand and document the scene than a lot of the rags and blogs in this city that frankly don’t have a fucking clue what’s going on.

People often accuse Vancouver of being “No Fun City.” Do you agree or disagree? What for you makes Vancouver unique?
I found it tough at first. But now that I’ve made my friends and found the creative people that make this city awesome, I’ve learned to redirect my anger at City Hall and its ridiculously prohibitive policies surrounding things like alcohol, street art, noise, and condos. Vancouver’s art community is one of the most tight-knit and talented communities I’ve had the pleasure of seeing first-hand, and I’ve lived many places. In the end, that’s why the creative community sticks around and will continue to do so in the face of great adversity.

Favourite local Vancity spot?
I’m really digging the programming at The Cobalt, the beer at Alibi Room, and the “kick your feet up and get drunk” nature of Pat’s Pub and LanaLou’s, not to mention the wealth of after-parties.

Where are you as you answer these questions?
Sitting at work, listening to Röyksopp.

Last album you listened to?
Junior by Röyksopp.

What are you most excited about right now?
Figuring out the big summer plans, collaborating with friends, and determining how to help take this city from sterile small town to bustling cultural hub.

***

On Saturday–THIS SATURDAY!–May 18th, Sad Mag presents a dance party with your favorites 80s, new wave and electro-pop cov­ers. Van­cou­ver music leg­ends (or soon-to-be leg­ends) will be singing their hearts out to songs by The Talk­ing Heads, New Order, Cut/Copy, The Organ, The Knife, Humans and many more. Come check us out!

 

photos c/o Christop Prevost

CITY OF GLASS

with special guests

† BLACK MAGIQUE †

MAY 10th

Doors at 8pm

$10 at the door
19+
Cheap beer
Stunning visual FX
A truly unique and rare concert space

Arrive early! This amazing and intimate studio has extremely limited capacity.

Click for beautiful videos of past Anchor shows:

ANCHOR GUITAR STUDIOS
103-339 Railway Street
Vancouver, BC
______________________________________________________________________________________________________________

CITY OF GLASS
Pop melodies, minimalism and dance

† BLACK MAGIQUE †
Music – Film – Art – Sound and Vision

photo c/o RACHEL GAMBOA

A couple of years back, at a charity show at The Cobalt to raise funds for a youth centre, Sad Mag writer Shannon Waters met a sparkly dynamo named LeRoy. Performing solo that evening, LeRoy’s energy and charisma lit up the stage. Since that night, LeRoy and the Lovebots have continued to take to stages around Vancouver, spreading sparkles and acceptance wherever they go. LeRoy answered some of Sad Mag’s questions about the Lovebots ‘ performance style, progress and their upcoming performance at the Ignite! Youth Festival.

 

Who are LeRoy and the Lovebots?
“Leroy + The Lovebots”
 [didn’t exist] before I experienced pain, and hurt. It was an idea that was born from years and years of being in school, being at work, being at a bar and just realizing how big of a part my sexuality will come into play for everything I do, like it or not.

It felt like, Leroy, this is who you were born as. You were kind of born with this “gay” molecule infused into your image. Employers, strangers, will take a first look at you and instantly they know. And I found out that it really hurts you, truly hurts you, if you hide who you are, be it a gay man or a rebellious burlesque dancer.

So, I decided to create something that—no matter how the outside world was, no matter how work or school was—I could throw myself into what I love doing and focus on that for the rest of the night.

And maybe, if I could create this show and rehearse my balls off and people could see the work and passion I have for the stage, maybe [they’ll see that] a man in a bra isn’t too scary.

Maybe Martha was right. It’s a gay thing.

MUSEUM OF VANCOUVER - "Sex Talk in The City" Lovebots Live

You’ve been performing together for a while now—do you feel like your style or your goals have changed and grown during that time? If so, how?
Yes. Well, the thing I think we find the hardest is that sometimes when you grow up and you think life is going to give you a little off time to fuck around in your twenties, it reminds you time waits for no one.

We have had our share of difficulties over the past two years, from family being severely sick to now, never having time because we all work so much.

But it made “The Lovebots” more precious to us—almost a shelter from reality. Because when you are on stage, only the show is real. I can be whoever I want to be. And for us, that is soooo worth staying up till 2 in the morning and waking up at 7 to go to work. I am now a connoisseur of coffee.

How did you become involved with Ignite!?
All the “Lovebots” hail from East Vancouver and one of the opportunities for us to hone our art for free was at The Cultch. We got opportunities performing, working behind the scenes, even organizing the Ignite! Week with Youth Panel.

The Cultch popped my performance cherry when I belly-danced for a night called “GenderBent”.

I got to meet famous artists in the LGBTQ community [who] took me under their wing[s] to help me with my performances.

The Cultch I might say, was my first real boyfriend.

What are you most excited about in terms of participating in the Ignite! Youth Festival?
I’m excited to show the people that have supported us for four years how we have GROWN. We are more serious than ever. And it really does feel like a homecoming.

What are you hoping to convey to your audience with this performance? What feelings and thoughts do you hope to leave them with?
I want them to feel free. Free to ask out the girl you’ve been eyeing the whole night, or free to feel sexy. If I can, I want to inspire confidence and love in my favourite little “Historic Theatre.” I want to give them a GOOD show.

I want to leaving thinking “Leroy + The Lovebots” are the best band of the night, based solely on their own merit.

Performing, while rewarding, can be time consuming and draining as well. You are a particularly energetic performer – what inspires you to perform and what keeps you coming back?
I have to perform. I need to.

If this is getting a bit too BARE ALL, here: I actually get really depressed if I don’t make art. I have to.

When I’m drinking with my friends, if I have an idea, I’ll just start draping their tipsy bodies with fabric. If I hear a song idea I like, I have to run into the mall bathroom and record it in a stall.

I have to be on stage and feel the love of the audience to keep my alive. Some say it’s me being an “unlicked cub” and insecure. But because all the best artists are crazy, I like to think it’s because I’m crazy.

Do you feel like you have a signature performance style?
I think we definitely have a performance style. I try to make it more specifically unforgettably us, everyday.

One of my queer mentors, Rachel Devin.Bot, one of my inspirations, told me “Never try to be anyone else. Never try to recreate a show, be it yours or anyone else’s”.

And that STUCK with me and forced me to be the most original whip cracking relentless motherfucker with my show. So every show would be authentically “Leroy + The Lovebots”.

What comes next?
Well, I do have a book coming out that I am a part of—[I, along with Dan Savage and many other writers, have contributed to] The Radical Youth Handbook.

We have some really great music that we are going to perform and release soon as well as with music videos. We are working with a styling team called “HAUS OF EAST VAN” who have worked with the likes of Vancouver Fashion Week, Natalie Talson of Canada’s Next Top Model and many more. So I’m very excited for our future!

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LeRoy and the Lovebots will be performing at Fruit Basket (A variety show about gender, sex and sexuality) on May 10th, as part of Ignite! Youth-Drive Arts Festival, taking place at The Cultch. For tickets, visit The Cultch.