WHAT IS A POINT OF INFLECTION?points_of_inflexion_im1

A point of inflection is the focal moment of a period of change, the specific instant where the situation shifts from one state to another, from positive to negative, from before to after.

 

PROJECT OVERVIEW:

The project is called Point of Inflection. It’s a collection of short pieces of writing (150 words or less each by approximately 12 writers) around the idea of the focal moment of change (a “point of inflection”), expressed in any way the writer chooses. Local artists Christoph Prevost, David Phu, and Michael Champion will then create a cinemagraph and accompanying musical composition that interprets that piece. We will showcase the collaboration in a final gallery exhibition where the pieces of writing are displayed next to the cinemagraph that they inspired (likely displayed on a TV). The event would be held as part of an upcoming issue launch for Sad Magazine, and there may be an additional opportunity for your piece of writing to be published in the Movement issue.

nyfw-red-429
Cinemagraph of NYC Fashion Week

 

WHAT WE WANT FROM YOU:

 

LENGTH 150 words or less.

CONTENT  Express the concept of the point of inflection however you may interpret it.

DEADLINE Submissions due December 15th.

COLLABORATION Work with us to tweak your piece as needed.

 

WHAT YOU WILL GET OUT OF IT:

The satisfaction of meeting new people, collaborating on a cool project, and seeing your piece put to video and music.

 

YOUR NEXT STEP:

If you choose to accept this challenge, please let us know at: stephanie.orford[at]gmail[dot]com

 

ABOUT THE ARTISTS:

Christoph, Michael, and David are accomplished artists in a variety of mediums, and all three have worked together in their video production company, Unfamous.

Enjoy some holiday cheer with local Canadian winter time music. Get under the mistletoe and smooch your favourite person (w/ consent), add rum to the soy-nog and pet a purrring kitten. Happy Holidays to you and yours from Lise Monique and your pals at Sad Mag.

 

 

And for those looking for an extra special holiday treat, sign up for a 1 year subscription to Sad Mag before December 15th and we’ll send you (or your secret santa) a personalized Holiday Gift card advising them of your generous gift!

Nothing says, Tis the Season, like an entire year of sparkly Sadness from Sad Mag.

Brace yourselves for all the bikes, Birkenstocks and brews you could ever wish for—The Cinematheque’s annual European Union Film Festival is back. From November 21 to December 4, 27 countries will each showcase a film of their choice. The selection crosses languages as well as genres, promising to please documentary-buffs, thriller fans and rom-com lovers alike.

To save you some time and a lot of Google-translating, SAD Mag did some research to come up with a fool-proof list of this year’s festival must-sees:


Two-Seater Rocket (Austria). A classic love story with an astronomical twist: Photographer Manuel has the hots for his gorgeous best friend Mia, but can’t muster enough courage to tell her. But hen Mia falls for a dashing Italian pilot instead, Manuel decides win her back as any love-struck person would—by stealing a rocket ship and making Mia’s childhood space dreams come true.

F*ck you, Gohte aka Suck me Shakespeer (Germany). Sex, crime and…spelling tests? Zeki returns from a 13 month prison sentence only to discover that a high school has been built on top of where his stolen stash lies buried. In order to recover his money, he accepts a job as a substitute teacher at the school, with some hilarious consequences. Zeki isn’t just under-qualified for the job…he doesn’t even know how to spell Germany’s most famous poet’s name!

The Guilded Cage (Portugal/France). Maria and José are a poor Portuguese immigrant couple working menial jobs in a snooty Parisian neighbourhood. When José inherits unexpected riches, he and his family plan to move back to Portugal as they have always dreamed. But it turns out that the rich bitches they work for have grown fond of their underpaid labourers, and decide to do everything in their power to keep them from moving home and finally achieving happiness.

Vis-A-Vis (Croatia). A young director struggles to make his first feature film and a name for himself. Unfortunately, the script is hopeless, the lead actor is in the midst of an emotional crisis and the budget is nonexistent. Funny, clever and thought-provoking, Vis-A-Vis features Woody Allen-like characters, a soundtrack by Andrew Bird and absolutely breathtaking Croatian scenery.

Flowers from the Mount of Olives (Estonia). Ever wondered what it feels like to be an 82-year-old Russian Orthodox nun living in a cloister in the middle of the Arab Quarter? This is your chance to find out. In this award-winning documentary, Sister Ksenya reveals all—talking ex-boyfriends, Nazis and drug addictions—when she decides to tell her life story one last time.


17th Annual European Union Film Festival
The Cinematheque (1131 Howe)
November 21st to December 4th
Tickets & festival information

 

SAD Mag is looking for a new Editor-in-Chief!

SAD Mag (Stories, Art & Design) is a Vancouver-based quarterly magazine covering arts & culture, publishing the photography, designs and writing of some of our greatest local creatives.

Founded in 2009, Sad Mag has published eighteen issues and gained a loyal readership in Vancouver and beyond. We are currently seeking a talented, creative individual to take over the role of Editor-in-Chief. This is a great learning opportunity for an aspiring magazine editor or writer, with a flexible time commitment suitable for a student or person with another job.

The Editor-in-Chief works closely with the Lead Designer and Creative Director to produce each issue of the magazine.

Duties include:

  • Determining the theme for each issue and planning features, interviews, and short pieces
  • Recruiting writers and assigning pieces
  • Reviewing and responding to submissions and pitches
  • Along with the Creative Director, planning deadlines for submissions, editing and print
  • Attending community events to promote the work of Sad Mag
  • Working with the Web Editor(s) to coordinate online promotion of issue content
  • Editing pieces for style, content, length and grammar
  • Providing feedback to writers in a timely and professional fashion
  • Working with copy editors
  • Attending regular planning and production meetings

Requirements:

  • Must be based in Vancouver, BC
  • It goes without saying, but excellent English spelling & grammar are required!
  • Preferably some experience with print magazines, in a writing or editing capacity
  • Knowledge of the Vancouver arts & culture scene
  • Familiarity with Sad Mag is a bonus
  • The ability to commit for a full print year (3-4 issues) is strongly preferred

Perks & Compensation

The editor-in-chief will receive an honorarium of $300 per issue. You can also expect some other perks & opportunities, including:

  • Mentorship and support from previous Sad Mag editors
  • Camaraderie with the truly incredible team of Sad Mag staff
  • Industry connections
  • An opportunity to gain experience and skills as an editor
  • Creative input on an established, exciting young publication
  • We also throw great parties

Time Commitment:

As the Sad Mag editor-in-chief, you can expect to commit a few hours weekly to email and in-person issue planning. During planning and production, the time commitment is closer to 8-10 hours a week. The majority of work is on your own schedule, coordinating with the Creative Director and Lead Designer as necessary. We would be happy to discuss how each issue is produced with interested applicants!

This position is great for someone with a flexible schedule and an interest in working with writers and on print magazines. Applicants who identify as POC or queer are especially encouraged to apply, as Sad Mag is committed to supporting diversity in the Vancouver publishing industry.

Please apply with a cover letter (in the body of an email is fine) and a portfolio, including a minimum of three written pieces, to Michelle at hello@sadmag.ca. Please include the subject line “Application for Editor-in-Chief”.

The outgoing editor-in-chief will mentor the successful applicant for a full issue production cycle, which will serve as a probation period.

Closing date: January 3rd, 2015.

Adjustable Strand Ring by Heavy Meadow
Adjustable Strand Ring by Heavy Meadow

It’s here! The first of two Blim Markets before the end of the year. Blim Markets are famous for offering a cozy, handmade treasure-trove of the sweetest Christmas, birthday, and just-because gifts you can find at a craft market in Vancouver. Between 12 and 6pm, Heritage Hall will be packed with things like lovingly crafted stationery, jewelry, apparel and a few owls, foxes, and your other favourite hinterland creatures.

We’re really excited about our vendors! Here are a few that’ll be attending:

 

Ora Cogan will be hanging out, selling her hand-cut, polished, sterling silver jewelry. Heavy Meadow jewelry is inspired by the natural, the supernatural, and the interconnectedness of things. No two pieces are the same, making each of the minimalistic designs unique to the person that purchases it – perfect for the friend that deserves a gift but already has everything in your price range. On Ora’s table, you’ll find scalene triangle and tetrahedon necklaces, triangle studs, and flawlessly constructed stackable and knuckle rings.

 

Mortimer Gravely will be set up and selling infusion kits! Gravely and Sons kits are sold with a high quality 500mL swing top bottle, “pre-filled with the perfect mixture of dried botanicals” and detailed instructions to infuse your regular post-work libation into something beautiful. Elderberry, lavender, spike and pathogin infusion kits will pair perfectly with the vodka or rum (or any neutral spirit) of your choice. Gravely and Sons also tries to send a unique recipe card with every purchase. Pick some up for your next gathering!

 

English Lavender by Product of Science and Art
English Lavender by Product of Science and Art

A Product of Science & Art combines high quality ingredients with affordable pricing to make their fresh formulas available to everyone. They pride themselves on reviving the classic practice of soap making in the face of a skincare market chock full of low quality attempts at grabbing a few dollars. Each product is handmade in Canada, and each small batch is subjected to rigorous quality control. PSA produces 100% natural products, and tries to use organic ingredients whenever possible, sold in recyclable and compostable packaging. When you wander over to PSA’s table, you can expect to find formulas like local oatmeal, lavender, and bay rum, to name a few!

 

Last but not least – yours truly will also be set up with a whole whack of mags, subscriptions, and gift packs! Pick up a copy of the Suburbia Issue for $10, back issues for $5, and gift certificates for Christmas subscriptions for $20, and past issue gift packs. We’ll also have live painting by Mettlelurgy (!!), and open edition prints from our upcoming Cat Issue by the lovely and talented Roselina Hung. For each one of these prints purchased before the end of the year, Roselina will be donating $5 to the BCSPCA.

 

Come hang out! Free high fives!

 

12 – 6pm at Main x 15th in the Heritage Hall on November 23rd. Be there!

Blimposter

Film aficionados will fall in love with Ron Mann’s newest documentary, Altman, playing November 7 to 10 at The Cinemateque. The film celebrates one of America’s most daring filmmakers, Robert Altman (MASH, Gosford Park), for everything he was—an artist, a visionary, a legend.

Mann pieces together a vibrant image of Hollywood in the 1940s from scavenged archival footage—clips of Altman’s first films, extra shots taken on set during their production, and snippets of home videos. The world Mann recreates is rough, colourful and nostalgic; the viewer is thrust into a sunny California fuelled by American idealism—a place where life is easy, and everything is possible.

In the midst of this naive optimism appears Altman, the documentary’s strange and enigmatic hero. In the war against the superficiality of a growing film industry, Altman is a warrior for cinematographic realism. He challenges the age-old film-making conventions, producing a kind of media never seen before, and redefining American cinema forever. As actor Keith Carradine describes in an interview about the notorious director, Altman’s work “show[s] Americans who [they] are.”

Though heroic, Mann’s portrait of the famous filmmaker is also surprisingly human. Altman is not just a story about film; it is also a story about compassion, love and integrity. Mann unveils the family and  friendships, failures and successes, wild parties and wise words that shaped the man into the artist he would one day become. Altman, we learn, made his films much like he lived life: with authenticity, conviction and ultimately, great pleasure.

 

 SCREENINGS 

Altman
Friday, November 7 – 6:30pm
Saturday, November 8 – 6:30pm
Sunday, November 9 – 2:00pm
Monday, November 10 – 8:40pm

McCabe and Mrs. Miller
Friday, November 7 – 8:35pm
Sunday, November 9 – 4:00pm
Tuesday, November 11 – 6:30pm

Nashville
Saturday, November 8 – 3:30pm
Sunday, November 9 – 6:30pm
Tuesday, November 11 – 3:30pm
Thursday, November 13 – 6:30pm

The Long Goodbye
Saturday, November 8 – 8:35pm
Monday, November 10 – 6:30pm
Tuesday, November 11 – 8:45pm

$11 Adult
$9 Senior / Student 

Restricted to 18+ unless otherwise noted
$3 annual membership required for those 18+

The Cinematheque
1131 Howe Street, Vancouver
24hr Film Infoline: 604.688.FILM

heidi now  heidi1986

SadMag spoke to Vancouver-based artist, public school worker and nominated COPE school trustee  about education, art, gender, and her vision for safe, inclusive schools.

SadMag: You’re an artist but you also work with kids. Tell me about your involvement with education (past and present).

?Heidi Nagtegaal: i’ve worked for the vancouver school board for the last 8 years (since jan 2006)?. i love to work in east van, in what the vsb calls “inner city schools.” for the last 3 years i’ve worked at britannia elementary community school. before that i was working for about 10 years in respite care, home care, after school programs, and parks and recreation.

SM: What is the intersection of art and education in its best form?

HN: art can be education and education can be art. it’s all about perspective and how you see things. the best form of this intersection is when all people involved feel loved, connected, cared for, communicated with, and involved. it is in that state of mind that information can be given and received effectively. when the brain is relaxed, it is able to absorb more information and learn faster.

our brains integrate material when dopamine and serotonin are in our systems. when you make art, and you are in a creative state, your brain is releasing dopamine, which reduces stress, increases learning, and opens new neurological pathways.

stress is a brain killer, a creativity killer, it’s not good for you, not in your life, and not in schools either. self care is really important.

SM: What motivated the decision to pursue a spot on the school board?

HN: ?i was asked to by a bunch of friends. they came up to me and without knowing that any one else was doing, asked me to consider running. i was not interested at the time, and had my list of reasons why i did not want to be involved, starting from the “system is failing” to “i don’t believe in the government.”

i realized that being asked to consider this kind of position was kind of a rarity, and stared at a candle for a long time and thought about the possibilities of running for the school board as a candidate. i’ve worked in schools for so long, and have witnessed systemic violence, not because anyone is against the children, and wants them to suffer, but because the school system itself has big holes in it, and it’s not pencils that are falling through the cracks. it’s children.

so i decided to run for government, and see what happened. ?

SM: What do you hope to accomplish?

?HN: on a modest level, to get the conversation flowing, get people involved. the government is super broken, corrupted, aligned with big business; money & power are definitely all coming before people, communities.? even the bike lanes that vision vancouver put in – the ones i ride on – were put in without community consultation, and put in by a personal friend of gregor robertson. the vision vancouver Anti Poverty week was kicked off by petitioning the Supreme Court to have the tenants of Oppenheimer Park removed. tent city was started because living in the park was safer than living in their homes.

we all know there’s something wrong, but it’s hard to know what to do. i really love cope’s housing policies, and i think they’re real, based in real life, they don’t take developper donations, it’s all grass roots, we’re all activists, and artists, and i dunno, people with a plan. and it’s run with 2 staff, and this whole campaign is happening on 2 staff, no budget (well, a a very small one), and a whole lot of volunteer hours. npa and vision get donations year round, and during this campaign alone of millions of dollars, it’s crazy. and here cope is with their scraggly budget, and a bunch of good ideas, and we’re covering the news and media sources. articles are running on meena (wong) every week, and they can’t get enough.

so on that level, i’ve already accomplished my goal. on another level, it would be great to be voted in, and keep on doing the work at a municipal level, but i have to be voted in to do that, and we’ll see what happens.

there’s been polls done by npa and vision on statistics, and they don’t release them because they show that cope, vision, and npa are neck and neck. vision and npa like to say that the race is between the two of them, and vision is marketing that “you have to vote vision so that the npa doesn’t get in” when really, you can just vote cope and not bother with vision at all.

i’m really sorry to anyone who loves vision. their words are beautiful, but their actions stink, and i’m ready for a change. so i guess that’s why i joined cope, and that’s what’s happening right now. when i think about “what i hope to accomplish,” it’s happening now. the dialogue is changing.

SM: Tell me about the current transgender policy? What does it fail to address? How would you like it to change?

HN: ?for starters, i work in an elementary school. dividing students up into “boys” and “girls” is seen as an ok way to learn patterns. the children are told to sit boy/girl, and are addressed as “boys and girls.” bathrooms: boys and girls. there’s no room for anything beyond the gender binary.

children are born beyond the gender binary. they transition from one gender to another, they flow between genders, they express their genders in many ways. the conversation has started to shift around what masculinity and femininity can look like, but it’s very much centred around the “sensitive boy” or the “tough girl” which, although it expands the idea of what gender can be, doesn’t exactly collapse the binary system, or integrate genders into a fluid structure, where all genders and gender expressions are embraced, nourished, and understood.

when you hear “girl” “boy” and never anything else, do you really think we are promoting a space for other genders? he and she are used in a classroom, but most teachers are still confused about the gender neutral pronouns, such as they, zir, and yo.

gender neutral bathrooms are a start, but the work is very deep, and we have a long way to go before all children are safe to gender express themselves without being afraid of feeling shame, or getting beat up.

i mean, we feel the same as adults, but we’re trying to change the world here. we want the futures of our children to be better than the ones we have. that’s the hope anyways. otherwise, what’s the point? damage control? yes. but no.

SM: Why is it relevant to you?

?HN: i work in schools. i went to school. i love learning. i don’t think schools are the best expression of learning out there, and it could be better. bullying is real, and we don’t have to set up social structures where those things happen rampantly. we can make it safer.

parents talk to me all the time about bullying, sensitive children, the need for feelings, and how to make space for all the feelings. children have feelings. i have feelings. we all have feelings. and we all have the need for safe spaces.

when children are forced to spend 6.5 hours of everyday in schools, it has got to be a place that makes them feel good, loved, heard, respected, and safe. when you don’t feel those things you feel sad, your brain doesn’t work as well, it’s harder to make friends, you feel miserable and unwell. that’s doesn’t work for anyone.

when humans are happy our brains work better! safe spaces make people happy. it’s not only a human right, it’s good for learning.

SM: Why should it matter to the rest of us?

HN: ?why would anyone want a school system where it is the way it is?

children go to schools that are underfunded, don’t have proper support, are in the dark as far as the full spectrum of gender and sexuality are concerned, not effective against bullies, or the creation of safe spaces, and have long wait lists for psychologist, school counsellors, special needs, or anything outside of the education of a standardized learner who fits within a binary.

that doesn’t seem healthy, supportive, or nourishing. it would be hard as a student to learn in a system like this. and it would be hard as a teacher to have a classroom full of children, and know that you can’t support them them the way you want to. as a support worker in the school system, i see children i love, who i have spent hours of time with, fall through the cracks. i know what it feels like to know that it could be different. and it matters. every child matters.

i want justice, not charity.

SM: What’s amazing about kids?

HN: … it’s endless. we play together, we love each other, we help each other. they carry around my coffee cups for me if i forget it on their table, and then giggle about it. when i go outside and i’m a bit late for something or i get switched, and then SURPRISE heidi is here, it’s not uncommon to get a “HEIDI!” and a group hug

i get secret messages and art works and handshakes from children every day. their parents and i bond simply because i love their kids and they hear all about me after school, to the point that they feel like they know me.

?according to the vancouver school board, i work with the most vulnerable youth in the district. when i go home to the valley, or talk about my life in vancouver, people are mixed. one reaction is “that’s so awesome!” and then there’s the “how do you do it?” and then the “isn’t it hard??”. and the “isn’t it hard” always freaks me out a little bit. like they’re saying “it’s too hard.” sometimes, that’s my projection, and other times it’s a real read and it’s actualized by a follow up comment featuring a racist, sexist, homophobic, classist rant about “those people.”

those people are our people. we can’t have a strong society when don’t see ourselves as a whole.

Libby OslerVancouver audiences will experience Hamlet in a new way when the play opens October 30th at The Shop theatre. Libby Osler—a Bowen Island-born, New York-trained actor—will play a young, female Hamlet in a production where four major male characters have been rewritten as women. “We weren’t trying to force any gender switches,” Kailey Spear, one of the play’s directors, told me. “Hamlet’s struggles are not gender-specific, so she works well as a male or female character, whereas Ophelia is judged in terms of her beauty and her virtue, which is a very female experience.”

I went to the theatre to observe the rehearsal of a heated scene between Hamlet and her lover, Ophelia. The Shop is a warehouse-style space that was once used as a prop workshop for the Vancouver Playhouse Theatre and has since been outfitted with plush, red velvet seats. Sam Spear—Kailey’s identical twin sister and the play’s co-director—stretched across two rows of seats, watching the scene unfold.

“I did love you once,” Hamlet said, her expression tormented, her hands evading Ophelia’s grasping ones. “Indeed, you made me believe so,” Ophelia replied, hopeful. Hamlet pulled her close and kissed her, then pushed her away. By scene’s end she’d left Ophelia alone on the stage, rejected and woeful. Their storm of emotions reminded me of my worst breakup, my simultaneous desire to flee and to inflict pain, to receive and reject love.

“The themes that come through in Hamlet are ones people can still connect to; the characters and their motivations are recognizable,” Sam told me. The Spears have edited Shakespeare’s script for length and changed pronouns to reflect characters’ gender switches, but otherwise kept Shakespeare’s script intact. Though audiences may not recognize some of the play’s language, its visual elements—the setting and costumes—will be familiar. This production is set in what Sam calls a fictitious “today-esque” world, where the media follows the Danish royal characters as though they’re Hollywood celebs. The scene between Hamlet and Ophelia unfolds in a nightclub setting, and tabloid covers featuring the play’s characters will be projected on screens to contextualize events.

In the play, Hamlet returns to Denmark from university after her father, the King of Denmark, dies. Once home, she finds that her mother has remarried—to her uncle, who her father’s ghost reveals as his murderer. Hamlet must then avenge her father’s death while navigating an intricate web of relationships. In traditional productions, where Hamlet is male, social disapproval of the character’s relationship with Ophelia is rooted in class tensions; in this one, the lovers’ sexuality is the source of controversy.

After rehearsal, I spoke with Osler, who sees similarities between our world and that of the play. “The marriage [between Hamlet’s uncle and mother] is used to distract Denmark’s citizens from their country’s political stability,” she said, and noted that celebrity news is an equivalent distraction in our world today. “We’re inundated with it.” Osler described her character as distrustful of appearances; “She’s always after our obsession with the superficial. Hamlet is saying to people”—here, she tapped the table for emphasis—“look a little closer.”

In the future, the Spear sisters plan to create a film version of Hamlet, with an actor like Osler as the lead. “Hamlet’s a great role,” Sam told me, “she’s a complex and dynamic character. Unlike token strong female characters in mainstream film and television, who are so strong and flawless that they never fail, Hamlet is very flawed, but trying to use her strength to fight through her faults. We want to give audiences an opportunity to see a female actor play that kind of character.”

Hamlet
Directors: Kailey and Sam Spear

Opens October 30th at The Shop theatre (125 East 2nd Ave) and runs until November 9th. Preview October 29th

Tickets available from Brown Paper Tickets. More info available on Facebook

– Story by Kyla Jamieson. Look out for Kyla’s profile of Libby Osler in Sad Mag’s forthcoming Movement issue, on stands March 2015.

SM_GwenFBTHIS SHIT IS BANANAS.

This Halloweekend we’re gonna party like it’s 1995. No doubt, it’ll be the sweetest escape of the month.

Don your plaid pants, suspenders, crop tops, corn rows and wallet chains and join us at the Cobalt where her Blondness, Shanda Leer, will host an evening of skankable, rock-steady pop hits.

Beats by DJ G Luv and Kasey Riot, and special drag performances by Jane SmokerLeroy Wan and Bust Sass!

Want to perform your own Gwenny Gwen Gwen impression? Hollaback at hello@sadmag.ca with your song pick.

Saturday, November 1 at The Cobalt, 917 Main St, Vancouver
Doors at 9pm, show starts promptly at 11:00pm

Cover $10 before 10pm and $12 after .
$8 in advance through Eventbrite. What you waiting for?

 

Mandy-Lyn photo  http://www.mandy-lyn.com/sons-and-daughters
Mandy-Lyn photo

Presented by Visual College of Art and Design (VCAD) fashion marketing students, Tara Jean McTavish, Stephanie Martin, Eugenia To, and Jaspreet Johal–Showcasing Sons + Daughters Eyewear–CITY KIDS will be held at Make Studios on Saturday, October 25from 12-6PM. Make will be transformed into a mini, child-friendly NYC (cotton-candy included). Food and drinks will be available, as well as entertainment from a live Lady Liberty statue. The students have created installations that will probably blow your mind, so we naturally wanted to chat with their creative team about their process.

 

Who is involved in the project?

Tara Jean McTavish: The four of us [Tara Jean McTavish, Stephanie Martin, Eugenia To, and Jaspreet Johal], Natasha Campbell, Calvin Yu and Shiva Shabani, the Sons + Daughters team, Kari Gundersen, Fentimans, VCAD, Arts Umbrella, PetitePuf, and Parallel 49.

 

What can people expect to see when they come to Make?

TJM: A big city for kids, which they can play in and they can engage with.

Eugenia To: Lots of interactions, fun times, activities for both parents and kids, so it’s really a fun family event.

 

How did the idea for CITY KIDS come about?

TJM: It’s a project for our Fashion Promotion class. Stephanie had the idea, she researched that September was a month for kids’ and it was a month to recognize this and donate money. So she was researching charities that we could donate to, and make a kid-based event.

 

Can you describe the process of creating the event?

TJM: First we started coming up with ideas of how we could make it work, and then we started thinking of companies we could involve with this, specifically companies that work with kids. Natasha [Campbell] came up with the idea that we could work with Sons + Daughters Eyewear (http://wearesonsanddaughters.com/), then a person in our class had the idea that we could do a gallery type setting. We then started thinking about the clientele that Sons + Daughters is based around, and that New York and kind of a city-kid event would be more suiting towards their target customer.

 

Which sections of NYC did you choose to focus on? And why did you choose them?

TJM: The first one you will see when you walk in is Time Square, and we also have Brooklyn, which has a graffiti wall that kids get to express their creativity and paint on it in any way that they want. Then next to that we will have Central Park, which is based off of the John Lennon memorial that is painted in chalk paint, so kids can actually be on the ground in the “grass” surrounding, and they can play with chalk on the memorial. Then it is Soho, that will have steps up to it, kind of an art space that is full of bricks, with a door that opens to a mural that kids can take photos in front of. This will also have a “tickle trunk”, provided by Arts Umbrella, so they can wear different things for the pictures. Then there is the Upper East Side, which has more of a Gossip Girl feel, with dress up items for both boys and girls. And lastly, there is going to be a live statue of the Statue of Liberty to engage with the kids and a live video playing clips of Sons + Daughters and some NYC imagery. Oh and free balloons for the kids!

 

Have you run into ay challenges?

TJM: Well the installations are just very large, so making them takes a very long time, it’s just time consuming and there is a lot of space that is needed. So getting the boxes, making sure that everything is where it should be, and getting everything done on time. Its more waiting for the paint to dry that takes a long time, there’s like eighteen layers of paint on these things to be honest.

 

Lastly, what was the best thing about putting together CITY KIDS?

ET: I think just experiencing this as a group, doing team work and just planning everything and coming together with ideas. Painting together, gathering at TJ’s place, and just relaxing but also working hard together.

TJM: Yeah, nice team bonding! We all work well together. I’m also just excited for the creativity, I love arts and crafts, so it’s just fun to be making it on a grand scale. People actually will get to look at it and enjoy it! Also, I love kids so it’s nice that we get to work with them one on one during the event. I also love Sons + Daughters, I think their eyewear is just so gorgeous. I want my kids wearing it.

ET: And on the other side, were making connections. Obviously we wouldn’t have any reasons to reach out to these people if it wasn’t for this project.

 

All in all, a mini NYC sounds like a nice Saturday afternoon to us. If you’re interested in a quick vacation this weekend, head down to Make this weekend, details can be found on the event page here.

Interview by Cianda Bourrel

Sons+Daughters