You know we love books, you know we love art, so it only makes sense that we’re hosting the official after party for the Vancouver Art/Book Fair this October. Coinciding with the launch of our Suburbia issue, come on out to Make. Studios on October 4th from 7-10pm. There will be music, there will be beer, there will be beautiful people, and there will most definitely be a stylish double issue of Sad Mag. Oh, and celebrations too.
Art + books = match made in Sad Mag Heaven.
What’s this Art/Book Fair all about?
Free and open to the public, the Vancouver Art/Book Fair is the only international art book fair in Canada and one of only two on the West Coast. In 2014 the event launches with a Members Preview on October 3 from 6–8pm and takes place on October 4 and 5 from 12pm to 5pm. It is anticipated to attract over 1,500 visitors from across the Greater Vancouver Area and beyond.
Who organized this supreme sounding event?
Presented by Project Space, VA/BF is a two-day festival of artists’ publishing featuring nearly one hundred local, national and international publishers, as well as a diverse line-up of programs, performances and installations. Featured artists travel to Vancouver from across Canada and the globe, and produce everything from books, magazines, zines and printed ephemera to digital, performative or other experimental forms of publication.
Details of the issue launch are as follows—
What: Suburbia (double) issue launch + Vancouver/Art Book Fair after party
Enjoy the Fair and then, of course, enjoy the party with us Sad Maggers! More details can be found on our Facebook page, so invite all y’all friends and join us for an autumnal (no festive gourds guaranteed).
Sweet beats by DJ Ruggedly Handsome and your regular EC hotties!
The Cobalt, 917 Main Street, Vancouver, BC Doors at 9pm, Drag Show at 10pm (come early, the line’s always long) Tickets $10 at the door / $8 in advance
There’s something about an outdoor theatre experience that can’t quite be matched. While Bard on the Beach isn’t entirely set under the stars (would be a bit of a poor decision in Vancouver’s climate), the keyhole view to the outside world through the back of the stage always adds some extra interest to the carefully crafted and artfully conceived renditions of Shakespearian works.
I first remember seeing A Midsummer Night’s Dream outside as well, but as a one-time student production on the castle ground of Royal Roads University in Victoria. I don’t remember much of this production—I was 12 at the time—but what I do remember is the way the natural light enhanced the production. Well that, and the fairies.
Bard’s production, though with a little more power behind it than a student production, was also memorable for both the setting and the acting, fairies included. The minimalist stage provided the perfect backdrop to the most incredible costumes. They consisted of bustles, patterned tights, brocade, shimmery sheer skirts, and more, each one more intricate and detailed than the last. The costumes of the fairies were a perfect fit to the comedic relief their roles brought to the tense, but still humorous love stories in the play. Overall, the aesthetic of the play was simple and beautiful with key props being used to transform the stage into everything from a forest to a celebratory party. The makeup and hair were also flawlessly integrated into the aesthetic of the play—everything seemed to flow so nicely together.
For me, the most notable part of the show was the integration of the classical Shakespearian script with current elements, like music and references. The fairies were the main source of this with references to Prince, Iggy Azaelea and more. I’ve always appreciated Bard’s effort in making their performances accessible and this show was no different. As previously mentioned, this show had a particular flow about it. Though I did get a bit lost with the language at first (I’ve never been the hugest Shakespearian aficionado), I got my bearings and was throughly impressed at how understandable the cast made the classic tale, and really, how funny they made it all. As one of Shakepeare’s comedies, I was expecting a chuckle or two, but this rendition warranted a few full on guffaws. In fact, I did see a few more mature ladies clutching their pearls in hysterics. They really amped up the comedy and blended it seamlessly with the tale.
Along with delivering an excellent show, this year is also a special year for Bard for another reason—it’s turning 25. Head down to Vanier Park, celebrate a milestone for a Vancouver cultural institution, take in the scenery, and enjoy a play. I recommend the Bard-B-Q if you’re looking for a primo fireworks seat.
I’ll always remember the sounds of Leonard Cohen travelling through my family’s bungalow growing up.
As an 8 year old though, I don’t think I understood the profound resonance Cohen’s lyrics have with so many people. I also don’t think I ever realized that not only is Cohen a musician, but his lyrics are pure poetry. Embraced as a Renaissance Man, his poetry explores religion, politics, loneliness, sexuality, and most notably, love.
Love—sometimes torturous, sometimes beautifully bittersweet—was the central theme of the Cohen-inspired theatre piece Chelsea Hotel at Firehall Arts.
Featuring a cast of six talented musicians, dancers, and actors, Chelsea Hotel delivers emotion, melodic dissonance, and the perfect amount of comic relief. Using Cohen’s lyrics to tell a story through two halves, a simple set, costuming, and bold, effective theatrical choices, make the poetry come alive onstage, evoking emotion in the audience as well as the cast.
One of my favourite parts of the two hour show (don’t worry, there’s an intermission), was the choreography performed by the three female cast members. Calculated without being careful, the movements accompanied the lyrics perfectly. Raw and sexy without being over the top, these movements were contemporary without being too “dancey” thus not inhibiting people from enjoying the other elements of the show.
Alongside the dance, the musicality of all six cast members was definitely a highlight. Playing everything from drums, guitar, bass, and piano, to cello, violin, accordion, harmonica, and even kazoo, the cast is clearly extremely talented—a perfect match for the ever-celebrated Cohen. Playing all of the music live was the perfect fit for this Canadian musician and poet’s work. Adding to the purposeful drama, the music, along with the lyrics, carried the story, allowing the audience to be immersed in the experience with very few, very effectively placed and delivered lines.
Ultimately, the play was simple. With one set, very subtle costume changes, and scads and scads of balled up paper strewn about the stage to set the mood, nothing more was required to tell the story of Cohen’s many relationships—many of which we can see within ourselves.
Chelsea Hotel finally made me understand what my parent’s love about Cohen. The simplistic delivery of memorable lyrics allowed me to digest the meaning with the help of subtle choreography and amazing live music. I think I might just put on a Cohen record and hide from the rain for the rest of the weekend. You know where to find me.
Showing until March 29, head to the Firehall Arts to be inspired by the words of Cohen and the acting of a fabulously talented cast. Expect shivers, moments of awe, and even tears (if you’re the older lady in the back). More details about the show, cast, and ticketing can be found online.
A few snaps from dutil.’s denim contest on Saturday, February 20. Thanks to dutil. for the invite and thanks to Hush Magazine and Rawr Denim for sharing your judging expertise with us. Congrats to the winners and a special thanks to sadall the participants for showing us their butts.
Jacqueline Banz, Director of RAW:Vancouver (and self-proclaimed “crazy Swiss miss”), gets it. Helping spread all types of art across Vancouver, she is passionate about connecting artists of different disciplines both on and offline in creative ways.
RAW:natural born artists, as a concept, launched in California in 2009 and started its Vancouver operation in August of 2013. Now, Jacqueline is gearing up for the next RAW event happening this Friday night—so grab your tickets and dig into Vancouver’s underground arts. RAWk your night away, RAWsomely.
Jacqueline Banz RAWks.
Sad Mag: Who are you?
Jacqueline Banz: A very philosophical question.
Always myself. I would say I’m very authentic and genuine, as it is a philosophy of life that I have. I do what I like to do. I’m a crazy Swiss miss who has come to Vancouver for the mountains. (I know! Leaving one mountainous region for another!)
Originally I’m from a small town in Switzerland, growing up hearing cowbells day and night—no wonder I developed a curiosity for other nationalities and have been fortunate to explore over 40 countries across 6 continents so far. Vancouver was always a city that felt homey to me, so 2 years ago, I made it my home officially. Travel, music, art, and athletic pursuits have always been a passion for me. I’ve been a drug pusher (prescription and chocolate), event planner, marketer and volunteer. I used to play the trumpet extremely well, just don’t ask me to pick one up ever again. I own a piano… but I don’t play. So who am I? A little of this and a pinch of that with much more to come…and absolutely comfortable being me.
SM: Why are you passionate about art?
JB: Passion is a word I like in this context, as passion should be the driving force behind art. I believe that passion equals success. What I like about art is that art is a true expression of passion, individualism, creativity and personality. The more authentic art is the more touching it usually is.
I always see beauty everywhere; I always have. I’m a very visual person and notice little things that are extraordinary and beautiful, in nature for example.
SM: What can you tell me about RAW?
JB: RAW:natural born artists is an indie arts organization, founded in 2009 in California. We showcase local, independent artists in film, fashion, music, art, performing art, hair, makeup, photography, accessories and more. Our mission is to provide independent artists, within the first 10 years of their career, with the tools, resources and exposure needed to inspire and cultivate creativity.
We currently operate in over 70 cities internationally. We had our Canadian launch events in Vancouver on August 23 and in Montréal on August 29, 2013. We are proud to announce that RAW will soon also be offering bi-monthly showcase opportunities in Calgary, Edmonton, Halifax, Ottawa, Toronto and Winnipeg! Stay tuned for more info!
SM: What makes this RAW event special?
JB: What is really unique about our RAWartists events is that we bring together all genres of art in one night and give local talents a showcase platform on a regular basis in front of 800+ guests. In every showcase, you get to see a short film, live music, runway shows, including the work of young designers, hair & makeup artists and accessory designers. You also get to see the work of local artists, photographers, sculptors, jewelry designers and so on, followed by an after-party. A RAWsome night out for about the price of a burger!
We are not a white-wall gallery, we are not an arts festival, we are not your standard fashion show, nor are we trying to be any of these things. We are all about the everyday extraordinary artists that live and work in our communities. Talented people that create amazing works that compose the fabric of our creative generation. We are aiming to take a snapshot of the creative culture locally as well as internationally.
RAW provides a platform for the local community to see, hear and love the artists that are living and working in their own back yard! We create a fun environment for artists to showcase their work, and the community to attend.
Each hand-selected artist receives an on-camera interview that is edited for their portfolio. Photos and video material capture them as artists as well as their work or performance and allows them additional tools to promote themselves in the industry. RAW doesn’t take a commission of any sales. Once a RAW artist joins the community they can also take advantage of our international network. Artists can showcase in any of our RAW cities. We host a giant indie arts awards show, RAWards, in the beginning of the year also. Artists get big career building prizes, consultations, gallery placement, store placement, products and services to help them build their careers. Our online hub is also a benefit—our RAW artists have an online profile to display their work, music and videos.
I’m super happy with the quality of the 40 booked artists for the November 22nd showcase. We certainly showcase some of the cities most talented artists and some of them, despite their young age, have already been recognized both nationally and internationally. You can check them out here.
Don't miss some RAW art on November 22.
SM: Are you an artist? What medium do you practice in?
JB: I’m mostly a supporter of artists. I was a very talented trumpet player, but left it behind when I entered university, much to everybody’s disappointment. My mother was a professional “fashion designer”, to use a modern word. I used to help her with carnival costume designs and really enjoyed it. I like to paint on canvases, and while traveling I try to capture the local life and nature in my photographs. I love to be creative and to create. I created a lamp out of a barrel once, and have designed rings. I love to work with wood and on my bucket list is to design wooden furniture one day.
SM: What is inspiring you right now?
JB: It’s very inspiring and satisfying to be acting as kind of a “talent scout” for artists and to be able to help artists gain more exposure and notoriety.
I find inspiration in nature, cooking, interior design and the honesty and creativity that children have in them.
SM: Favourite Vancouver arts venue?
JB: Gossip Nightclub during a RAW:Vancouver showcase, of course!
SM: Three words to describe the upcoming RAW show.
JB: Unique, varied, must-see!
Seriously, RAW:Vancouver is not to be missed. Happening Friday, November 22, check out the event details here. Find out more about the concept online, on Facebook, and on Twitter.
Have you seen the new issue of Sad Mag? Featuring fantasies of all kinds, Rebecca Chaperon’s work fits perfectly with the theme. Adding to her already jam-packed fall schedule, which includes two gallery shows and a book launch, Chaperon has managed to squeeze in another gallery appearance.
Opening this Sunday, Chaperon will have two paintings, Doppelganger I and Doppelganger II, shown in an exhibit called The Best of Everything. Following on the same theme of the work showcased in the current print issue (think arctic mixed with tropic plus confetti, you heard right!), you won’t want to miss seeing these striking works in person.
The opening will feature live music and, of course, art. Over 14 established and upcoming artists will be featured in this show guest coordinated by Korey Moran at the Baron Gallery.
Interested in Chaperon’s process? Here’s a little taste, more of which can be found in the newest Sad Mag issue—available now!
I feel that often I need to think about things when I’m at the studio because once I’m in this room, it’s go. I’m just really in this really fast-paced environment. On my walk here, I try to be really calm and meditate on the fact that I’m taking one step at a time because I know, once I open the door and walk in, it can be overwhelming recognizing the amount of things I might have to do in one day. When there’s a lot of different things going on, its hard to decided what to do first, and it can be hard to step away and realize what’s the most important thing.
With a full plate of producing work, showcasing work, and getting herself out there, we understand Chaperon’s need to take some time to be calm. Join her in celebrating all her hard work this Sunday.
Opening: Sunday, November 10, 2-5pm with piano & light refreshments Gallery Hours: Monday-Saturday November 16th, 12-6pm Location: Baron Gallery, 293 Columbia St @ Cordova, Gastown, Vancouver
Gather 'round, take in some art, and enjoy the company of your neighbour.
What’s one thing can make basically any event better? Food. Slideluck Vancouver, which held its first even in February of this year has combined photography and mingling with sharing a meal to create an experience that is both beautiful and filling. Coming up this Sunday, November 3, Slideluck will be hosting an event at Performance Works on Granville Island.
Featuring work from amateurs to pros, Slideluck is open to all and is definitely worth a visit. Make sure to say “hello” to Sad Mag-gers Katie, one of the esteemed judges, and Jackie, a featured photographer. Curtis Michael Davey, the director of Slideluck Vancouver tells us a little bit more about what makes up this unique evening of entertainment.
Sad Mag: Who are you? Curtis Davey: Curtis Michael Davey (@curtismdavey), director of Playground.Is (@playgroundis), Slideluck Vancouver (@slideluckvan), member of the Engaged City Task Force (@engagedcity). Cultural producer, global citizen, wide-eyed wanderer and light-footed flâneur.
SM: What is Slideluck? CD: Slideluck is a global community and series of events for appreciators of food, photography and gatherings. It was founded in the backyard of Casey Kelbaugh in Seattle over a decade ago and has spread to over sixty five cities worldwide. Slideshow+Potluck=Slideluck.
SM: When did Slideluck come to Vancouver? CD: Unofficially, we’ve been planning Slideluck Vancouver since 2010. Officially, February 2013 was the inaugural Slideluck Vancouver event.
SM: What’s the goal of the Slideluck format? CD: To showcase the work of photographers of all levels—from amateurs to the most notable pros—in an inclusive and communal atmosphere around a good meal. It’s all about coming together to celebrate the art of photography and of food.
SM: What does a Slideluck add to the community? CD: It adds a non-judgmental platform for photographers to share their work. It provides the opportunity for the community to come together and eat together. It introduces people to new foods, new recipes, new perspectives on the world and to like-minded people in their community.
Sharing ice cream is even more delicious that breaking bread.
SM:Breaking bread together is said to bring people together. Do you see this at your events? CD: Absolutely. Social dining seems to break down people’s barriers and inhibitions. If the art doesn’t get people talking to each other, the food surely will.
SM: What are your other favourite Vancouver cultural events? CD:I’m a big fan of the Vancouver Opera but tickets are prohibitively expensive. I also enjoy KitsFest, Sam Sullivan Public Salons, Pecha Kucha, and also Playground.Is. Events that combine opportunities to learn something while enjoying a beverage and some good tunes as a part of the events overall platform. Looking forward to the day when Vancouver has its own Nuit Blanche.
SM: What is your hope for Slideluck in the future? CD: That it becomes a popular annual event in Vancouver for people inside and outside of the foodie and photography communities. That it becomes a meeting place for people of both the high and low end of the social spectrum. That it attracts people from outside Vancouver to come and join us.
SM: Where are you as you answer these questions? CD: At my home office, chained to my computer, writing emails and documents until my hands cramp up and my eyesight goes blurry.
SM:Describe Slideluck in 3 words. CD: Labour of love.
Come celebrate the hard work of all of those involved with Slideluck Vancouver this Sunday, November 3. Get your tickets and enjoy an evening of food, photography, and fine company.
Jeff Downer is one of Sad Mag’s best-loved photographers; his work was featured in our Transplant Issue no.9 and Downer will be showcasing his work at Gallery 295 from June 7-July 6 2013.
As a part of a curated exhibition featuring five emerging Vancouver photographers, Downer will have his work not only highlighted, but also judged by a panel of judges from The Presentation House Gallery and The Vancouver Art Gallery. Based purely on creative merit, this show features some of Vancouver’s finest.
INDEX is the gallery’s first annual juried exhibition of emerging artists working within the medium of photography and its focus on emerging artists is particularly encouraging for an arts scene that keeps losing momentum in the city. Exploring trends and the nuanced nature of the practice, these artists will be highlighted as some of Vancouver’s most up-and-coming in one of the art scene’s hidden gallery spaces. Head down to Gallery 295 on Main St. on June 7 for the opening reception.
Sad Mag: Who are you?
Jeff Downer: I am an introverted, intuitive, feeling and perceiving being amidst a world of commotion and automation. I may go for long periods without noticing a stain on the carpet, but will carefully and meticulously brush a speck of dust off my project agenda.
I am also a recent photography graduate of an art school.
Buntzen Lake
SM: You’ve gone to school in Canada and the States and have been a part of exhibitions around the world. Where do you consider home?
JD: Home changes depending on where I aim to live.
I once found myself stranded in the Kansas city airport lying under the cool rustling of plastic ferns, listening to the mechanical sounds of the escalator, and thought, in between consciousness as I tried to sleep, I am “home.”
However, home could also be the place that is so familiar to you, that you know who is going to ring up your tall-can at the liquor store, who will pass you on the bike ride home, and that it is obviously a condominium development that is tearing up another interesting block.
This is also the place where your friends know you too well and your own history with the place runs deep.
Vancouver is this place for me.
SM: What inspires your work?
JD: The everyday.
The subject of the Everyday summons notions of normality, daily life and banality in our society as themes to work with. Portraying such themes does not mean creating rather boring or bland art, on the contrary, I believe that such themes can be subversive and thought-provoking when thought of as a direct response to the blandness and homogeneity of our culture, suburban culture in particular.
It is part of a peripheral culture that is not trying to be distinct from others, but is one, that is a product of mainstream influences and daily living.
Orgasm
SM: What is your favourite photograph?
JD: Vancouver photographer, Roy Arden’s “Monster House, Coquitlam BC 1996”, because in one photograph, Arden was able to combine the everyday, the sublime and a modern critique of our culture.
SM: How did you get involved with Sad Mag?
JD: You guys actually found me. I was living in Cambridge and received an email from a friend who got me in touch with Katie Stewart. You were working on an issue called “Transplant,” a concept that I was right in the middle of, so it was perfect.
SM: What makes Vancouver rival it’s “no fun” reputation? JD: The fact that everyone you know is in it together. And because of this, we are able to build a strong music scene, art scene, and circle of interesting individuals that keep things afloat.
SM: Is the Vancouver arts scene as dead as some people describe?
JD: Well, yes and no. If you are not friends with or going to school with any artists that are exhibiting, have a studio space, or a gallery of their own, then it will be harder to break into the “scene.”
Here, there seems to be a resurgence of interest in curating independent or emerging artists lately, which is a step in the right direction. However, because of our current rent prices, it is virtually impossible to run a little independent gallery that isn’t subsidized by the government.
Tree Rest
SM: What’s the best arts venue in Vancouver?
JD: I would have to say the Morris and Helen Belkin Art Gallery out at UBC. Vancouver also is lucky to have a number of artist-run-centers with a lot of interesting and thought-provoking shows.
SM: Where are you as you answer these questions?
JD: I am in my apartment with my cat, drinking iced-coffee, and listening to a number of tapes my friend Amanda let me borrow. Currently Martha and the Muffins “Metro Music” 1979.
SM: What are you most excited about right now?
JD: The end of being a student to give me time to live and be an artist. And where I will go next.
Sad Mag was delighted to chat with Sparkle Plenty, one of the gorgeous people behind this racy and raucous festival. On the Board of Directors of the festival, Sparkle Plenty is herself a burlesque performer, and whether she’s parodying Steven Harper or giving us the classic tease, Sparkle Plenty’s unique blend of comedy and burlesque—glamedy—is as fabulous as it is compelling.
Sad Mag: Who are you?
My name is Sparkle Plenty, I am on the Board of Directors for the Vancouver International Burlesque Festival and I am a regular performer with the Screaming Chicken Theatrical Society. I am a glamorous comedian or glamedian!
How did you get involved in the burlesque scene?
I used to perform improv and play music throughout high school and in my early 20’s so the stage was no stranger to me. One miraculous day I was invited to a burlesque show at the old Colbalt and I was blown away with the amount of creativity that was invested in this show. Each act was innovative, fun, and faced no boundaries in terms of style or story so thought to myself, “I need to be doing this!”
When and where was your first burlesque show?
My first burlesque show was at my graduation recital in Screaming Chicken’s Becoming Burlesque program at the Red Room. I was so excited, I must have invited over 20 people to come, and they did!
How did you come up with your performer name?
Sigh, I found my performer name on my friends bathroom wallpaper. It’s a long story but it seemed like a good idea at the time… I have since Googled Sparkle Plenty and learned that she is also a cartoon, a Dick Tracy character, chandelier cleaner, and a pony.
Do you have a signature outfit or accessory?
I couldn’t pinpoint to what my signature accessory or outfit would be. I am mainly seen in loud-print leggings so I can high kick at any given moment.
What’s your favourite genre of music to perform to?
I used to limit myself to pop music because of their infectious, danceable melodies, but now I will perform to whatever song speaks to me or speaks for the character that I’m creating.
Burlesque seems to be growing in popularity. What is it about burlesque that draws an audience?
There is something about burlesque that permits you to enjoy watching something a little naughty or taboo. There is also the artistic integrity that appeals to the public, they are watching and appreciating someone celebrating their body, their sensuality, which allows the audience to do the same for themselves. Like music, burlesque doesn’t limit itself to a specific genre, so there is a style that appeals to everyone.
Best venue to watch burlesque in Vancouver?
There are many fantastic venues to check out burlesque! The Biltmore for Kitty Nights is always a blast, Guilt and Co. has shows occurring regularly and the styles of performances can range from the very elegant to very creepy,The Keefer Bar is great if you want to see some show stopping performers on Thursday nights, and of course, the Wise Hall where Screaming Chicken Theatrical Society holds their monthly Taboo Revue Variety Burlesque shows.
What should we look forward to at the Vancouver Burlesque Festival?
The diversity of the performances! What makes the Vancouver International Burlesque Festival so thrilling is how each performer has their own unique style. There will be glamorous costumes, high-tempo dances numbers, satirical story telling… I could go on, but it’s best to see it yourself as everyone leaves with a different experience!
Where are you as you answer these questions?
I am in a room filled with dazzling gowns that gleam as the sunlight hits each crystal on their silk panels, the walls decorated with beautiful ostrich feather headdresses, and there are kittens everywhere!
Ok that’s untrue but it sure sounds better than in my living room
What are you most excited about right now?
Right now I am excited for the festival to happen! The Board of Directors has been working on this event for almost a year so we’re very much looking forward to see our baby grow. Also sleep, I am excited about trying that out after the festival is done!
