There’s something about an outdoor theatre experience that can’t quite be matched. While Bard on the Beach isn’t entirely set under the stars (would be a bit of a poor decision in Vancouver’s climate), the keyhole view to the outside world through the back of the stage always adds some extra interest to the carefully crafted and artfully conceived renditions of Shakespearian works.
I first remember seeing A Midsummer Night’s Dream outside as well, but as a one-time student production on the castle ground of Royal Roads University in Victoria. I don’t remember much of this production—I was 12 at the time—but what I do remember is the way the natural light enhanced the production. Well that, and the fairies.
Bard’s production, though with a little more power behind it than a student production, was also memorable for both the setting and the acting, fairies included. The minimalist stage provided the perfect backdrop to the most incredible costumes. They consisted of bustles, patterned tights, brocade, shimmery sheer skirts, and more, each one more intricate and detailed than the last. The costumes of the fairies were a perfect fit to the comedic relief their roles brought to the tense, but still humorous love stories in the play. Overall, the aesthetic of the play was simple and beautiful with key props being used to transform the stage into everything from a forest to a celebratory party. The makeup and hair were also flawlessly integrated into the aesthetic of the play—everything seemed to flow so nicely together.
For me, the most notable part of the show was the integration of the classical Shakespearian script with current elements, like music and references. The fairies were the main source of this with references to Prince, Iggy Azaelea and more. I’ve always appreciated Bard’s effort in making their performances accessible and this show was no different. As previously mentioned, this show had a particular flow about it. Though I did get a bit lost with the language at first (I’ve never been the hugest Shakespearian aficionado), I got my bearings and was throughly impressed at how understandable the cast made the classic tale, and really, how funny they made it all. As one of Shakepeare’s comedies, I was expecting a chuckle or two, but this rendition warranted a few full on guffaws. In fact, I did see a few more mature ladies clutching their pearls in hysterics. They really amped up the comedy and blended it seamlessly with the tale.
Along with delivering an excellent show, this year is also a special year for Bard for another reason—it’s turning 25. Head down to Vanier Park, celebrate a milestone for a Vancouver cultural institution, take in the scenery, and enjoy a play. I recommend the Bard-B-Q if you’re looking for a primo fireworks seat.
